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The Kiss Off. The Scarlet Hour is directed by Micahel Curtiz and written by Rip Van Ronkel, Frank Tashlin and John Lucas. It stars Carol Ohmart, Tom Tryon, E.G. Marshall, Elaine Stritch, Jody Lawrance and James Gregory. Music is by Leith Stevens and cinematography by Lionel Lindon. It has been a hard to locate film noir for may a year, which when you consider it's directed by such a titan of classic cinema comes as a surprise. The plot dynamics are very familiar to noir fans, and coming as it does late in the original film noir wave it does lack a bit of freshness, but there's little deviations in the shenanigans of the principals to at least give this its own identity. We essentially have an abused wife (Ohmart) having an affair with one of her husbands (Gregory) employees (Tryon). They plan to run away together but need money to do so. As it happens, during one of their love sessions in a parked car they over hear crooks planning a jewelry robbery and she convinces her man to hold up the thieves so as to take the jewels for themselves. In true noirville form this becomes a road to nowhere and danger lurks on every corner, with dodgy alibis, unrequited passions and a few twists and turns to keep the narrative perky. This is no shoddy production either, it comes out of Paramount and the presence of Curtiz shows you that the studio wasn't merely making a contract filler. Though the absence of chirascuro from Lindon is a shame, we do get some nifty sequences such as violence enacted that we only see via shadows. There's moments of humour as well, while there's also a musical surprise as Nat King Cole turns up to croon Never Let Me Go. Cast are fine, Ohmart has classic fatale looks and legs from heaven, but her character trajectory is a little muddled in the writing. Tryon plays the dupe competently, Lawrance sparkles in a secondary role, as does the scene stealing Stritch. I'd stop at calling this a hidden gem, as some other amateur reviewers have, though it does rather depend on how many other similar noirs you have seen previously. This doesn't come close to Double Indemnity, The Postman Always Rings Twice or Thérèse Raquin, but that doesn't stop it being a good film, because it is and for sure it's well worth noir fans tracking it down. 7/10
A juvenile delinquent is sent to a rehabilitation ranch, but he immediately proves to be a troublemaker.
New York City is in a panic caused by an insane murderer; Maria, a police officer is entrusted with the case; to do this, she pretends to be a prostitute. One night, she meets a possible suspect who holds her and her partner hostage.
Travis has just buried his father, when Kelly, an attractive hitchhiker walks into his life. At the same time, another attractive blonde, Jolene, starts taking an interest in Travis. Both women are secretly after something.
Hester Collyer is rescued by a neighbor after attempting suicide in the flat she shares with her young lover, ex-RAF pilot Freddie Page. The neighbors alert her husband, who arrives at the flat only to find her fully recovered...
Grace nearly drowns before she is saved by a handsome lifeguard named Gordon. She falls for Gordon and decides to take lifeguarding lessons. However, Gordon falls in love with Pamila. Grace is aided by Eddie and Dawn, but they are unable to separate Gordon and Pamila. In fact, Eddie has romantic feelings for Grace but has had a one night stand with Dawn... The relationships quickly get complicated, how can it all get sorted out?
The attempted assassination of the American president is told and re-told from several different perspectives.
Deformed since birth, a bitter man known only as The Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the crew.
A drifter comes to the town of Deepwater and is seduced into a twisted game of deceit and murder.
Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.
When a waiter makes a lucky hit and wins a benefit prizefight, gamblers rig some fights for him; but a reporter arranges for a real boxer to put him in his place.
