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Petite Maman is a movie about a girl (Nelly) who has just lost her grandmother and is helping her parents clean out her mother's childhood home. She explores the house and the surrounding woods. One day she meets a girl (Marion) her same age building a treehouse. They become friends and have all sorts of adventures together. As their relationship develops, Nelly realises that Marion is actually her mother who has travelled from the past to be with her. This is a surprise to both of them and themes of family, loss, and friendship are explored as they play together. The two actors playing the children are twins in real life and they have great chemistry together. They are both very natural and believable in their roles. Their dialogue often feels improvised and their scenes together are some of the best in the movie. The element of time travel is so subtle it’s almost unnoticeable. There are no special effects, no flashy sequences; just a few small, everyday things that seem out of place. This makes the story more believable and allows the focus to remain on the relationship between Nelly and Marion. My biggest problem with the movie is the pacing. It’s a bit slow and meandering in the first half, which made it hard for me to stay interested. However, the second half is much better and the last few scenes are particularly emotional and powerful. Overall, Petite Maman is a moving and thought-provoking film with great performances from its two young leads.
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/somewhere-only-we-know-petite-maman-review Despite what the name implies, Petite Maman feels just as grand. The story focuses on Nelly (Joséphine Sanz), an eight-year-old who has just lost her grandmother (Margot Abascal). Nelly is our entry point to the story, so we don’t always know what’s going on around her. Her grandmother seems to have passed due to a condition she’s had for most of her life, but it’s not something Nelly has a name for. Along with her mother (Nina Meurisse) and father (Stéphane Varupenne), Nelly goes to her grandmother’s home to pack up what remains of her belongings. They all spend one night in the house, but then Nelly’s mother leaves suddenly while Nelly and her father remain to finish the job. Why Nelly’s mother leaves is never fully explained, but Nelly can tell that her mother has been sad for a long time and that her leaving has something to do with that.
One might call this a Sci-Fi because it uses time-travel as a plot device, but it's not about that at all. The real themes are truth, and the complex relationship between mother and daughter over three generations. This is a heart-warming, creative story.
21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.
Karole and Ali love each other and dream of starting a family together. They soon realize it won't be as simple as they'd hoped, and as their enthusiasm falters their love is challenged. In order to overcome the obstacles, they must believe in the power of their desire and support of their loved ones. If they can do that, miracles will happen…
When Terri Hansen (Mary McDonnell) emerges from a fiery car crash as a widow, the local sheriff at first believes her account of the accident. But there's a snag in her story. Namely, a bullet in her dead husband. Just what did happen on that dark desert road? Through a series of telling flashbacks, we and the jury learn the bizarre truth. Randy Quaid and Sam Elliott costar in this riveting drama.
Inspired by the O. Henry short story "Gift of the Magi", Gift for the Living is a story about a grandmother and her granddaughter who, without the other's knowledge, sell their most treasured possession in order to buy the other a birthday gift. In the granddaughter's quest for the perfect gift, she discovers her grandmother's rich and unique history, a history her grandmother never spoke of. Gift for the Living is a story about love, friendship, loss and sacrifice.
An unmarried aristocrat (Jacqueline Bisset) resists the advances of the adventurous man (Peter Weller) whom she actually desires, causing him to turn his attentions to her new ward (Amy Locane) and a young maid (Karen Dwyer).
An unusual visit to a large, empty apartment. But is it empty or not? Maybe a family has lived there or is going to live there. Maybe a young girl is going to escape from there. Maybe some of the old-timers who lived there never left. The walls themselves tell the stories of the time passing by.
Ely, a young man who can't get over Celine, his past love, meets Mia, a young woman who escaped from a painful past in the Philippines and is trying her luck to rebuild her life in Spain. They meet. They fall in love. But can they overcome the hurt of the past to have a future together?
Sedgewick Blynn is determined to marry a rich woman. One night he saves a child from a fire. Bessie Morgan, an heiress charmed by his act of heroism, promises to marry him, but at the last minute her father forbids it. Soon after, Blynn receives a telegram informing him of the death of his mother, and he realizes that he has wasted his life.
A young woman thinks back on a series of life advice her deceased brother once shared with her as she goes through the steps of her daily routine. Inspired by a supernatural story the two bonded over in life, she attempts to establish a line of communication with "Apollo Boy", a little boy who watches over lonely children from his home on the moon.
A young girl has some visions about her future that will change her relationship with her mother, forever.
Inmates at a women's mental asylum stage a theatrical production of Herman Melville's 'Moby Dick.'