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***Denzel Washington tries to deter a terrorist attack upon looking back in time*** After a terrorist explosion of a ferry in New Orleans, an ATF agent (Denzel Washington) joins an experimental FBI surveillance unit that uses space-folding technology to find the culprit and maybe even avert the disaster. While looking in the past he starts to fall for a notable victim of the tragedy (Paula Patton). Val Kilmer plays the head FBI agent and Jim Caviezel the antagonist. Adam Goldberg is on hand as a tech geek. While watching "Deja Vu" (2006) I couldn’t help thinking of “Enemy of the State” (1998) because of the kinetic editing and advanced surveillance technology. Turns out they were made by the same director, Tony Scott, Ridley Scott’s brother, who unfortunately jumped off a bridge in Los Angeles in 2012, ending his life at 68 years-old. (Ridley claimed it was due to his secret struggles with cancer while others say it was due to two antidepressants known to cause suicidal thoughts or paranoid ideation). “Deja Vu” is good, especially the compelling last act. Although it may not be as great as “Enemy of the State,” the filmmaking expertise is off the charts, particularly in regards to the depictions of surveillance technology. It’s mind-boggling to think of the effort that was put into making everything gel and dynamically move along without confusing the viewer. However, it admittedly does get a little convoluted in the second act with the experimental observation equipment, which culminates with a thrilling-but-highly-unbelievable past/present car-chase sequence. Another problem, a minor one, is the revelation of the terrorist, which brings to mind someone like the infamous Timothy McVeigh. Never mind that 99% of the terrorist attacks the world over are by radical Islamists (e.g. 9/11, Orlando, San Bernardino, Chattanooga, Fort Hood, Boston Marathon, Paris, Nice, etc.). Shh, don’t tell anyone. The film runs 2 hours, 6 minutes and was shot in New Orleans. GRADE: B
Pacing could've been better but still an effective sci-fi thriller thanks to Denzel Washington's charisma carrying over the finish line. Even though this was my third viewing, first time in at least a decade, my feelings and rating remains the same. **3.5/5**
Déjà Vu is a compelling blend of science fiction and action, showcasing Denzel Washington's exceptional talent. His portrayal of ATF agent Doug Carlin is both engaging and nuanced, bringing depth to the character. The film's production is noteworthy, with director Tony Scott utilizing advanced visual effects to create a seamless narrative that explores complex themes of time and memory. The cinematography by Paul Cameron effectively captures the vibrant essence of New Orleans, adding a rich backdrop to the unfolding mystery. Washington's subtle humor, particularly the quip about the "seven dwarves," adds a light touch to the intense storyline. Jim Caviezel delivers a strong performance as the antagonist, contributing to the film's tension and depth. Overall, Déjà Vu is a well-crafted film that combines innovative storytelling with strong performances, making it a memorable addition to the genre.
When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.
Set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Boxer Santaros is an action star who's stricken with amnesia. His life intertwines with Krysta Now, an adult film star developing her own reality television project, and Ronald Taverner, a Hermosa Beach police officer who holds the key to a vast conspiracy.
When a man's daughter is suddenly taken during a championship hockey game – with the captors demanding a billion dollars by game's end – he frantically sets a plan in motion to rescue her and abort an impending explosion before the final buzzer.
Time-traveling bounty hunters find a doomed race-car driver in the past and bring him to 2009 New York, where his mind will be replaced with that of a terminally ill billionaire.
A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
When a huge alien probe enters the galaxy and begins to vaporize Earth's oceans, Kirk and his crew must travel back in time in order to bring back whales and save the planet.
Blown Away tells the story of Jimmy Dove, who works for the Boston bomb squad. Shortly after Dove leaves the force, his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.