Beautiful Bunkers

Far in the future, a woman wakes up in an escape pod on the surface of an empty alien planet dotted with the remains of an ancient alien civilization. Faced with isolation and the threat of death from the toxic night air, she must travel across the barren landscape and find a way to send a message home. She copes with alternating emotions of hope and loneliness and encounters semblances of human presences that push and pull these feelings within her. All the while she is overshadowed by the immense monolith on the horizon, a leftover of the alien civilization that existed on the planet countless years before. Her journey transforms over time, evolving from a focus on her character in the face of impending death to a study of absence and presence, transience and endurance. Her journey towards the crash site and the giant monolith becomes a race against time as she seeks a way to leave her mark and not be forgotten.

What is more miserable than love-blighted life? For the heart that truly loves can never forget. Such is the sad fate of the hero of this Biograph story.

Trapped inside the Space Freighter/Refinery Dédalo, Siena tries to survive an infestation of diabolic creatures.

We meet two girls in the middle ground between childhood and adolescence, a time where it is easy to misjudge the difference between right and wrong.

An extraordinary portrait of madness and inner turmoil, conveyed through mesmeric images of dreamlike intensity. Mixing found footage, medical macro shots and multiple film-gauges, the visual texture is as distressed and tormented as the film's subject. The haunting soundtrack, by 4AD staples Dead Can Dance, brings to mind the sleeve art of 23 Envelope founders Vaughan Oliver and Nigel Grierson, whose distinctive visual language is echoed in Krakatau's expressive imagery.

Gus Patatax runs a chip shop in space. In front of him is a huge Fast Food. Gus must satisfy his only client, the competitor opposite. The latter wants to humiliate Patatax and disrupts the gravity machine of the fries stand; it forces Patatax to cook in "zero G".

Frank Johnson, a wealthy landlord, without a heart, has no mercy for the poor. His cold attitude towards the public in general has a great influence in his life, and when he proposes marriage to Eleanor Groves, his manner is indeed anything but that of love. Eleanor, although she cares for Johnson, reprimands him and tells him that she could never marry a man as cruel as he is. Her last line of rebuff, "The ghost of your better self will appear to you and make you realize what a beast you are," gets Johnson to thinking.

Jennifer is a professional crying initiator, and she helps people who can’t cry to express their feelings. One day she has a young female client, Faye.