Sebastian 2024 - Movies (Oct 2nd)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
Paddington in Peru 2024 - Movies (Feb 13th)
My Fault London 2025 - Movies (Feb 13th)
La Dolce Villa 2025 - Movies (Feb 13th)
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Captain America Brave New World 2025 - Movies (Feb 12th)
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The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
Goodbye Hello 2024 - Movies (Feb 12th)
Unnatural 2024 - Movies (Feb 12th)
Nosferatu 2024 - Movies (Feb 11th)
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Kelsey Cook Mark Your Territory 2025 - Movies (Feb 11th)
The Witcher Sirens of the Deep 2025 - Movies (Feb 11th)
Nickel Boys 2024 - Movies (Feb 11th)
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Becoming Led Zeppelin 2025 - Movies (Feb 10th)
Marked Men Rule + Shaw 2025 - Movies (Feb 10th)
The Repair Shop on the Road - (Feb 14th)
Robson Greens Weekend Escapes - (Feb 14th)
The Chase Australia - (Feb 14th)
The Chase - (Feb 14th)
Jesse Watters Primetime - (Feb 14th)
Outnumbered - (Feb 14th)
Special Report with Bret Baier - (Feb 14th)
The Five - (Feb 14th)
The Ingraham Angle - (Feb 14th)
The 11th Hour with Stephanie Ruhle - (Feb 14th)
Watch What Happens Live with Andy Cohen - (Feb 14th)
Australia on Fire- Climate Emergency - (Feb 14th)
Crime Nation - (Feb 14th)
Police 24/7 - (Feb 14th)
The One Show - (Feb 14th)
Tribunal Justice - (Feb 14th)
Teen Mom- The Next Chapter - (Feb 14th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
While Germany sits as one of the major democratic models, an ex-prisoner of the Stasi delivers from his former cell a frightening testimony that questions the sustainability of our contemporary democracies.
Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures
Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.
Crump's mission to raise the value of Black life as the civil lawyer for the families of George Floyd, Breonna Taylor, Black farmers and banking while Black victims, Crump challenges America to come to terms with what it owes his clients.
The story of young Afghan girls learning to read, write and skateboard in Kabul.
Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.
Due to the increasing privatization of basic public services in Spain, companies such as BB Serveis are accused of misappropriating several million euros of public money intended to finance care for the elderly and other dependent persons.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.