Deadpool and Wolverine 2024 - Movies (Oct 17th)
Blue Cave 2024 - Movies (Oct 17th)
Nos Amours The Saga of the Expos of Montreal 2024 - Movies (Oct 17th)
Untapped Closing America’s Opportunity Gap 2024 - Movies (Oct 17th)
Borderlands 2024 - Movies (Oct 17th)
Watchmen Chapter I 2024 - Movies (Oct 17th)
Corey Rodrigues Not Complaining Just Explaining 2024 - Movies (Oct 17th)
Tierra de Nadie 2024 - Movies (Oct 17th)
Brothers 2024 - Movies (Oct 17th)
9 Windows 2024 - Movies (Oct 17th)
Seven Cemeteries 2024 - Movies (Oct 17th)
The Whip 2024 - Movies (Oct 17th)
I Think Im Sick 2024 - Movies (Oct 17th)
TMZ Presents Under Fire The Trump Assassination Attempt 2024 - Movies (Oct 16th)
Sing Thriller 2024 - Movies (Oct 16th)
Cold Meat 2023 - Movies (Oct 16th)
Expedition Amazon 2024 - Movies (Oct 16th)
Sweet Bobby My Catfish Nightmare 2024 - Movies (Oct 16th)
A New York Story 2024 - Movies (Oct 15th)
End Times 2023 - Movies (Oct 15th)
Adam Conover Unmedicated 2024 - Movies (Oct 15th)
Lets Make a Deal - (Oct 18th)
The Bold and the Beautiful - (Oct 18th)
The Price Is Right - (Oct 18th)
The Talk - (Oct 18th)
The Young and the Restless - (Oct 18th)
Law And Order - (Oct 18th)
Children Ruin Everything - (Oct 18th)
9-1-1 - (Oct 18th)
La Maison - (Oct 18th)
The Beat with Ari Melber - (Oct 18th)
The ReidOut with Joy Reid - (Oct 18th)
Georgie and Mandys First Marriage - (Oct 18th)
Cheap Irish Homes - (Oct 18th)
Elsbeth - (Oct 18th)
Greys Anatomy - (Oct 18th)
The One Show - (Oct 18th)
Ghosts - (Oct 17th)
Mark McKinney Needs a Hobby - (Oct 17th)
Deadline- White House - (Oct 17th)
Gogglebox Ireland - (Oct 17th)
A short documentary depicting a typical day in the life of a 1940s era flying stewardess.
Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.
The odyssey of the Mayice designers, who had to face to bring an impossible-to-manufacture piece to the Rossana Orlandi gallery, in Milan, in time to be exhibited at the Salone.
The stories of four Iranian families who emigrate to Canada and the city they leave behind. As departure time approaches, social spaces become places of memory, fading into the distance.
Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. But way back in 1931 they were far from extinct and still populated and livened up the streets from dawn till dusk. The tenderness of Pierre Chenal look at them is only accentuated by the nostalgia experienced by today's viewer.
I ran from it and was still in it poetically interweaves personal family memories with original and found footage to offer a more complex portrait of familial loss and separation. Kae wades through deep emotions surrounding the death of his father and the sudden relocation of his children, repurposing intimate family scenes from his personal archive by pairing them with online media from a variety of sources to explore how the autobiographical model can potentially extend beyond the personal.
Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.
A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.
At the time this film was made, motion picture theaters were required to pay a 20% tax on gross ticket sales, and Congress was debating lowering this tax (as well as others) in a bill being considered by a Congressional committee. This film, which was made especially to be shown to members of the committee, sets forth the motion picture industry's case for reducing, if not eliminating, the tax.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre