Subservience 2024 - Movies (Jan 9th)
The Naughty List of Mr. Scrooge 2024 - Movies (Jan 9th)
Better Man 2024 - Movies (Jan 8th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
Venom The Last Dance 2024 - Movies (Jan 7th)
The Man in the White Van 2024 - Movies (Jan 7th)
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Black Box Diaries 2024 - Movies (Jan 7th)
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Love Of The Irish 2025 - Movies (Jan 5th)
Tom Davis Underdog 2024 - Movies (Jan 5th)
Paul Chowdhry Family Friendly Comedian 2024 - Movies (Jan 5th)
Road Wars - (Jan 9th)
The Real Housewives of Salt Lake City - (Jan 9th)
Alex Wagner Tonight - (Jan 9th)
Murder Under the Friday Night Lights - (Jan 9th)
Kirstie And Phils Love It Or List It- Brilliant Builds - (Jan 9th)
Back Roads - (Jan 9th)
Someday at a Place in the Sun - (Jan 9th)
The Travelling Auctioneers - (Jan 9th)
Sold on SLC - (Jan 9th)
Guys Grocery Games - (Jan 9th)
Mystery at Blind Frog Ranch - (Jan 9th)
Restoring Galveston - (Jan 9th)
Chicago P.D. - (Jan 9th)
My 600-lb Life - (Jan 9th)
The Beat with Ari Melber - (Jan 9th)
Shifting Gears - (Jan 9th)
Abbott Elementary - (Jan 9th)
Chicago Med - (Jan 9th)
The Bold and the Beautiful - (Jan 9th)
The Price Is Right - (Jan 9th)
When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.
Twenty-third sovereign of the Alawite dynasty established in Morocco since the seventeenth century, Mohammed VI took over from his father Hassan II in 1999, and from the moment of his coronation, he positioned himself as a "king of the poor", close to the people. Naturally shy, he prefers to act rather than speak, defining a modern style of governance that has earned him great popularity from the start. Married to a young computer engineer, he asserted a policy of liberalization of morals and even made a critical review of the period of repression led by his father during the years of lead. However, he faces opposition from conservatives, which leads to the election of the Islamist PJD (Party of Justice and Development) as head of government, following the Arab Spring of 2011.
At 14 Rabha El Haimer was an illiterate child bride, beaten, raped and then rejected. Ten years later, she is a single mother, fighting to legalise her sham marriage and secure a future for her illegitimate daughter. With unprecedented access to the Moroccan justice system, “Bastards” follows Rabha’s fight from the Casablanca slums to the high courts.
A worn-out floor, the hole underneath, a political activist, and the Ouled Sbita tribe are the protagonists in this political satire. For 23 years, the director’s chair at an international art institute scratched the wooden floor. This 102cm x 120cm floor section is cut out and sent to an expropriated piece of land in Morocco. In The Hole’s Journey, Ghita Skali uses sharp wit, personal stories and playful editing to touch on specific power dynamics and freedom of choice.
Enter the universe of three mujra dancers in Pakistan as they dodge state censorship and violence to vie for stardom.
1961 documentary about the history and seedy reality of the sex industry in London's Soho.
ECHOES OF THE HEART IS THE FIRST SHORT FILM OF ECHOES TRILOGY THAT FOLLOWS SOUHAIL'S MUSIC PASSION IN PLAYING OUD IN A SMALL CITY.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.