ゴキブリたちの黄昏

This is a folk-tale-like adventure story of an active boy on a quest for the Water of Life. The boy sets out on this quest after learning that the Water of Life is needed to make his village happy. On the way, he meets gods, demons... Soon, he discovers that the evil snake has stolen the Water, and he heads for the snake's palace. Defeating the snake is not easy since it has the Water of Life to revive itself. This boy - Maegami Tarou - continues his courageous quest in cooperation with various creatures and the gods.

Anime film based on the novel "813" by Maurice Leblanc.

Parts 1 & 2. When high school student Masato discovers that his parents aren't really his parents and that he's been selected to pilot the giant robot Zeorymer, he decides he must fight the evil corporation that built it. Unfortunately, the bad guys have already launched the mysterious Hades Project, and their giant robots outnumber Masato 7-to-1 in this Japanese animé series.

Parts 3 & 4. When high school student Masato discovers that his parents aren't really his parents and that he's been selected to pilot the giant robot Zeorymer, he decides he must fight the evil corporation that built it. Unfortunately, the bad guys have already launched the mysterious Hades Project, and their giant robots outnumber Masato 7-to-1 in this Japanese animé series.

Queer Duck and his partner of 18 months (a lifetime in gay years), Stephen Arlo "Openly" Gator, hit a relationship crisis when the fey fowl is wooed by a brassy Broadway broad. Queer Duck wonders if he'd be happier being straight, while Gator the waiter spills his problems to a compassionate Conan O'Brien.

It is the near future, and the city of Freeport teeters on the verge of total collapse. The twin tides of rampant crime and ruinous graft face only one barrier: the elite strike force HARDCORPS. Led by Colonel John Blade, HARDCORPS is the last force for justice in the darkening city.

Two years have passed since the Great War. Akito and Yurika have vanished. The Jovians and the Earthlings have joined forces and Ruri is now captain of Nadesico B. As the popularity of Boson Jumping grows, a vast transportation network has been developed. Dubbed the Hisago Plan, this network of Chulip portals holds the answers to the mysteries behind Bose particles and their power. If those secrets should fall into the wrong hands, it could mean big trouble. And big trouble there is. A Martian splinter group has launched an offensive, leaving the United Forces befuddled and desperate. So much so, in fact, that the former crew of the Nadesico is called back to active duty for a special unsanctioned mission-to save us all. Does this menagerie of misfits have what it takes? Who will win the race for the Boson technology? And what the heck happened to Akito and Yurika?

When Robin meets the lovely Jamika he thinks he's in heaven. But when he meets her friend Bebe's children, whom she is looking after, he knows he's in hell.

With the Tendos, the Saotomes, Ryoga, Shampoo and Ukyo misinterpreting Tatewake Kuno's invitation to his two loves, Akane and 'The Pig Tailed Girl', to try his new yacht, a whole new episode of chaos begins in the already unstable lives of the Saotome/Tendo clan. A mysterious shadow kidnaps first Akane's sister Kasumi, then continues on until all the girls disappear. All except everyone's favorite hydrotranssexual.

When Prince Kirin of the 7 Lucky Gods shows up at the Tendo dojo looking for his bride-to-be, guess who's accidentally holding the scroll that signifies his future mate? Why, Akane, of course, and the rest of the Ranma crew is forced to take a boat to China in order to save her from the horrors of marriage and a diet of pickled vegetables.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.