The Billionaires Masquerade 2025 - Movies (May 22nd)
Pale Horse 2024 - Movies (May 22nd)
Embassy of the Free Mind 2024 - Movies (May 22nd)
Connection 2025 - Movies (May 22nd)
Mission Impossible - The Final Reckoning 2025 - Movies (May 22nd)
First Shift 2024 - Movies (May 21st)
Vitalik An Ethereum Story 2024 - Movies (May 21st)
Lilo and Stitch 2025 - Movies (May 21st)
Backlash The Murder of George Floyd 2025 - Movies (May 21st)
Nyctophobia 2024 - Movies (May 20th)
The Alto Knights 2025 - Movies (May 20th)
Diane Warren Relentless 2024 - Movies (May 20th)
Untold The Fall of Favre 2025 - Movies (May 20th)
Sarah Silverman PostMortem 2025 - Movies (May 20th)
Presence 2024 - Movies (May 20th)
Rosario 2025 - Movies (May 20th)
The Legend of Ochi 2025 - Movies (May 20th)
Bonhoeffer Pastor. Spy. Assassin 2024 - Movies (May 20th)
Bloody Trophy 2025 - Movies (May 19th)
Soul to Squeeze 2025 - Movies (May 19th)
Viridian 2025 - Movies (May 19th)
Skin Decision- Before and After - (May 22nd)
7 Days Series - (May 22nd)
Strife - (May 22nd)
Homebound 3.0 - (May 22nd)
Spring Break Murders - (May 22nd)
Booked- First Day In - (May 22nd)
Beyond the Gates - (May 22nd)
Uncharted with Ray Goggins - (May 22nd)
Sherlock and Daughter - (May 22nd)
The 11th Hour with Stephanie Ruhle - (May 22nd)
She the People - (May 22nd)
Watch What Happens Live with Andy Cohen - (May 22nd)
The Prince - (May 22nd)
American Pickers- Best Of - (May 22nd)
The Last Word with Lawrence ODonnell - (May 22nd)
Claire Hoopers House of Games - (May 22nd)
The Repair Shop on the Road - (May 22nd)
Poker Face - (May 22nd)
Law and Order- Organized Crime - (May 22nd)
Celebrity Wheel of Fortune - (May 22nd)
For their annual season end concert, the Berliner Philharmoniker take the audience on a dreamy, magically journey through the river Rhine with Schumann’s beloved 3rd Symphony Rhenish. Pieces from Wagner’s Der Ring des Nibelungen under the baton of dynamic conductor Gustavo Dudamel complete this evening.
Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)
In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.
Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.
Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of "Das Lied von der Erde" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.
In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.
Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.
Conductor: Claudio Abbado. Orchestra/Ensemble: Berlin Philharmonic Orchestra. 1.Symphony no 1 in C major, Op. 21 2. Symphony no 2 in D major, Op. 36 3. Symphony no 3 in E flat major, Op. 55 "Eroica" 4. Symphony no 4 in B flat major, Op. 60 5. Symphony no 5 in C minor, Op. 67 6. Symphony no 6 in F major, Op. 68 "Pastoral" 7. Symphony no 7 in A major, Op. 92 8. Symphony no 8 in F major, Op. 93 9. Symphony no 9 in D minor, Op. 125 "Choral"
The Summer Night Concert of The Vienna Philharmonic is the world's biggest annual classical open-air concert set in the magical Schönbrunn Palace Baroque park in Vienna. The concert will take place on 31 May 2018 and its theme for this year is 'An Italian Night'. The concert is broadcast on TV and radio in more than 60 countries, and thus reaches an audience of millions. The evening’s repertoire is an attractive combination of extremely popular works for orchestra including the William Tell Overture, the March from the opera Aida and the Intermezzo from Cavalleria Rusticana, as well as famous Soprano arias like Vissi d’arte, vissi d‘amore from the Opera Tosca. Valery Gergiev returns to conducts the Summer Night Concert and is joined by star Soprano Anna Netrebko in what promises to be one of the most popular concerts this year!
"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,