Glee: Keep on Believin'

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.

On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. The encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo.

Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.

A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.

Jin is a temporary elementary school teacher on his way to a permanent position when a traumatic event plunges him into a terrifying deep darkness. Three months later, a mysterious man named Kai provokes Jin's memories and feelings regarding the past experience through rapping. Why is Kai obsessed with Jin? How does Jin confront his own "darkness"? Conflicts and battles for men who have been deeply injured inspire healing. And does true love exist on the other side?

Películas is the name of a poetry book by Luís Miguel Nava, a homosexual poet, born in Viseu, who died in Brussels and whose magnificent poetic work remains widely unknown. Drawn from the filmmaker’s family super8 film archive, and excerpts from the film Un chant d'amour, by Jean Genet, the film builds a “body” marked by memories, by various skins, by Nava's films, by his poems and by its landscapes.

Tonoin Kei, a musical genius, becomes the new conductor of Fujimi, clashing with the group's leader, Morimura Yuuki, who is unaware of Kei's feelings for him.

Lesbian director Brigid McFall and lesbian photographer Vic Lentaigne create a series of intimate, revealing portraits of what it means to be lesbian in 2022, exploring why it is that so many young women who are sexually attracted to other women now prefer to identify as queer.

The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.