Flow 2024 - Movies (Mar 8th)
In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
Captain America Brave New World 2025 - Movies (Mar 8th)
Moana 2 2024 - Movies (Mar 7th)
Ghost Cat Anzu 2024 - Movies (Mar 7th)
The Silent Planet 2024 - Movies (Mar 7th)
Tuesday 2024 - Movies (Mar 7th)
Plankton The Movie 2025 - Movies (Mar 7th)
CHAOS The Manson Murders 2025 - Movies (Mar 7th)
George A. Romeros Resident Evil 2025 - Movies (Mar 7th)
The Little Mermaid 2024 - Movies (Mar 7th)
Bloat 2025 - Movies (Mar 7th)
Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
1923 - (Mar 9th)
Nine Bodies in a Mexican Morgue - (Mar 9th)
Dateline- Unforgettable - (Mar 9th)
Gladiators - (Mar 9th)
Crufts - (Mar 9th)
Buried Hearts - (Mar 9th)
Britains Got Talent- Unseen - (Mar 9th)
Nisha Katonas Home Kitchen - (Mar 9th)
James Martins Saturday Morning - (Mar 9th)
The 1 Club - (Mar 9th)
Match of the Day - (Mar 9th)
StuGo - (Mar 9th)
Portugal with Michael Portillo - (Mar 9th)
The Sunday Show with Jonathan Capehart - (Mar 8th)
The Beat with Ari Melber - (Mar 8th)
Saturday Kitchen Live - (Mar 8th)
Around the World in First Class - (Mar 8th)
Know Where to Hide - Wie niet weg is… - (Mar 8th)
SAKAMOTO DAYS - (Mar 8th)
Taskmaster - (Mar 8th)
_Bones and All_ is one of the most unique movies I have ever seen. It somehow simultaneously disgusts me while filling me with intense emotion capable of drawing tears to my eyes. It is a perfect blend, that I was unaware that I needed. The journey our characters take in immense in terms of emotion and distance. I had such a great time watching our leads travel across country going wherever their hearts desired or wherever their noses took them. There were some creepy and intense encounters that had me on the edge of my seat but that was balanced with intimate moments between our leads. These scenes fill the majority of the 2 hour and twenty-minute runtime, and while that is a decently long film, it flew by, and the pace never seemed to lull. There were some scenes that could have been cut to save some time, but I argue that they were essential for character development and to make the film whole. Throughout the course of the runtime there are intense introspective themes of morality that are at constant play. Watching the characters balance desire and need was so heartbreaking and real. Despite the horrific acts our main characters are performing, there is a deep hidden shame that seeps out as our character learns more and more about what she is. These are very complex emotions to handle on screen and our two leads absolutely nailed it. Both Taylor Russell and Timothée Chalamet were brilliant! I will be honest, Timothée Chalamet is one of the big reasons why I wanted to see this movie so much and while he did an excellent job, he was outshined by Taylor Russell. She was so excellent, honestly perfect! This is the first film I have seen her in, and I was blown away. She deserves all the award recognitions for this film. Bones and All is a masterpiece and needs to be seen in theaters. This is a hard movie to sell to an audience, but it was done perfectly and deserves all the credit, awards, and viewership. **Score:** _94%_ | **Verdict:** _Masterpiece_
"Maren" (Taylor Russell) sneaks out of her home to visit her girlfriends one night only for one of them to discover that she has a peculiar appetite - and I'm not talking sexually! Forced to flee with her father, who subsequently abandons her, she decides to try to track down her mother. A few bus journies later, she encounters the enigmatic "Sully" (Sir Mark Rylance) with whom she shares a snack and from whom she discovers a little more about her nature. Still, he makes her very nervous so she continues her journey alone where next she encounters "Lee" (Timothée Chalamet) after an altercation in a grocery store. He also has the same nourishment predilections and so the two start to bond. He helps her with her familial quest before an unexpected visitor throws quite a spanner in their plan. At times this is little better than a derivative road movie. The characterisations are all just a bit too contrived, and the narrative is hardly original - but, that said, there is a quirkily spooky performance from Sir Mark - who looks like he would not be out of place half way up an Alp and Russell offers a reasonable effort as the conflicted and confused young woman trying to reconcile her innate desires with her aspirations as a woman. Chalamet presents us with one of his more natural and charismatic performances here, even if - shirtless for much of it as he is - he still makes me want to force feed him a bowl of fries (indeed the title could have been applied just to him!) Lots of dialogue, too much really, but the story has layers of complexity to it surrounding issues of identity and purpose - especially amongst the American young, some fine photography and it plays the accruing sense of affection between the youngsters without cringing sentimentality before an ending that seemed a little unnecessarily brutal. I suspect this may get better with another viewing.
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition "Bones and All holds committed, chemistry-filled performances from Taylor Russell and Timothée Chalamet, telling a complex, interpretive story about true love and what we really need to survive. Trent Reznor & Atticus Ross' score shines and is the work's greatest chance of receiving an Oscar nomination, taking into account the shocking approach to cannibalism - it partially affects the connection with the protagonists - and horror aspects. A thought-provoking screenplay by David Kajganich and unrestrained direction by Luca Guadagnino elevate a film that deserves to be seen - and felt - on the big screen." Rating: B
A beautiful and intense coming of age story
Creepy. Gruesome. Very good. I'd totally recommend 'Bones and All'. I found plenty of enjoyment across the just over 2hr run time, despite plenty of unsettling moments scattered in there. I personally found the first half stronger than what follows it, though all in all it's a movie I had a positive time with. Taylor Russell and Timothée Chalamet, two actors who give impressive showings in this 2022 production. Russell kinda outshines Chalamet in parts, but the latter does come up trumps with some strong emotion near the end. One thing's certain though: Mark Rylance is the star of the show, for my money at least. What a performance, loved every second of him being onscreen. Simply the perfect actor for the role of Sully! A well made film, props to 'em for sticking with the creepiness of the story too. I mentioned recently after watching 'Saltburn' that I was disturbed. In that sense, well, that was child's play compared to this! Big fan of these sorta flicks that make you feel uncomfortable.
Bones and All is a surprisingly delightful feast of romantic cannibalism, and it’s the first film featuring Timothée Chalamet where he hasn’t turned my stomach — an impressive feat considering he plays a cannibal. The film attempts to elevate a love story between two misfits with beautiful cinematography and dialogue that is both riveting and grotesquely poetic. Who wouldn’t want to hear heartfelt confessions about devouring one’s love interest? Bravo to Chalamet for making cannibalism almost charming!
Adam and Marklin’s 5-year relationship has gone from a passionate flame to a simmer, forcing them to reconcile with each other’s shortcomings while their friends endlessly search for love in New York City.
Professor Philip Goodman devotes his life to exposing phony psychics and fraudulent supernatural shenanigans. His skepticism soon gets put to the test when he receives news of three chilling and inexplicable cases - disturbing visions in an abandoned asylum, a car accident deep in the woods and the spirit of an unborn child. Even scarier - each of the macabre stories seems to have a sinister connection to the professor's own life.
The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.
Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity.
In a small English village everyone suddenly falls unconscious. When they awake every woman of child bearing age is pregnant. The resulting children have the same strange blond hair, eyes and a strong connection to each other.
Set in rural Ostrobothnia in 1859, Tuomas Kantola, a farmer, is the only peasant in the village who does not sell his land to Lohikoski's boss Adler, and even starts to annoy him by building a dam to defy the project to drain Lohikoski's lands. During the summer, Harri , a student, and Kantola's daughter Annika fall in love, which is not accepted by either of their fathers or Annika's ex-fiancé Tuomas.
Doug and Amber were madly in love and married during their college years. Driven by the "dream" of a prosperous life together - Amber worked two jobs to put Doug through school. Soon after they shared in his business success and celebrated the birth of their precious, beautiful daughter. Fast forward 15 years - Amber has continued to be committed to her husband and their marriage, but Doug has fallen into the traps of an unfaithful spouse, convincing himself that he wants more out of life. In the midst of this turmoil, tragedy strikes, but the series of events that follows just might give this couple a chance to survive and once again regain the love for one another that was pledged in their sacred vows, 15 years earlier.
A team of special forces head into Afghanistan in the aftermath of the September 11th attacks in an attempt to dismantle the Taliban.
Rogers plays a small town banker in the 1890s whose chief rival is the deacon (Middleton) with whom he has traded horse flesh. Taylor is a bank teller who places a winning $4,500 bet on a 10-1 harness racing horse, making him Rogers' bank partner.
Five-thousand-year-old vampire Miriam promises her lovers the gift of eternal life. When John, her cellist companion for centuries, discovers that he has suddenly begun growing old, he attempts to seek out the help of Dr. Sarah Roberts, a researcher on the mechanisms of aging.