Summer Camp 2024 - Movies (Jun 26th)
The Boys in the Boat 2023 - Movies (Jun 25th)
The London Underground Killer 2024 - Movies (Jun 25th)
Love Lies Bleeding 2024 - Movies (Jun 25th)
Ezra 2023 - Movies (Jun 25th)
I Am Celine Dion 2024 - Movies (Jun 25th)
The Boy and the Heron 2023 - Movies (Jun 25th)
Diane von Furstenberg Woman in Charge 2024 - Movies (Jun 25th)
Blue Giant 2023 - Movies (Jun 24th)
Katak The Brave Beluga 2023 - Movies (Jun 24th)
Wake 2024 - Movies (Jun 24th)
Two Scoops of Italy 2024 - Movies (Jun 24th)
Yoga Teacher Killer The Kaitlin Armstrong Story 2024 - Movies (Jun 24th)
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Death Down the Aisle 2024 - Movies (Jun 24th)
Danger in the Dorm 2024 - Movies (Jun 24th)
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The Island 2023 - Movies (Jun 23rd)
Cinderellas Curse 2024 - Movies (Jun 23rd)
All In with Chris Hayes - (Jun 26th)
The Young and the Restless - (Jun 26th)
The Price Is Right - (Jun 26th)
The Bold and the Beautiful - (Jun 26th)
The Last American Vagabond - (Jun 26th)
Love Island - (Jun 26th)
Super Surgeons- A Chance at Life - (Jun 26th)
Match of the Day - (Jun 26th)
The Great British Sewing Bee - (Jun 26th)
Bring Back My Girls - (Jun 25th)
Sun, Sea and Selling Houses - (Jun 25th)
The One Show - (Jun 25th)
Our Great Yorkshire Life - (Jun 25th)
MSNBC Reports Andrea Mitchell Reports - (Jun 25th)
Bake Off- The Professionals - (Jun 25th)
A League of Their Own- Mexican Road Trip - (Jun 25th)
Historys Greatest Mysteries - (Jun 25th)
Renovation Nation - (Jun 25th)
Under Investigation - (Jun 25th)
Homes Under the Hammer - (Jun 25th)
Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.
Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...
This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.
As comparably short operas, Cavalleria Rusticana and Pagliacci are often billed together, but seldom is the lead tenor making his double role debut as Turiddu and Canio on the same evening. At the 2015 Salzburg Easter Festival, Jonas Kaufmann did just that to rapturous praise. Universally hailed as a coup for Kaufmann, the plaudits were also showered on Philipp Stölzl for his innovative staging which includes live video projections while referencing the era of black-and-white movies.
While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand's drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose except on behalf of his handsome but inarticulate friend, Christian.
Elijah Moshinsky’s witty production deftly walks the line between the lighthearted humor and the profound philosophical underpinnings of Strauss and Hofmannsthal’s opera, masterfully conducted here by Met Music Director James Levine. Deborah Voigt stars as Ariadne, the mythical heroine abandoned on the island of Naxos by her lover, and Richard Margison is Bacchus, the young god who eventually takes her away to a new life. The spectacular Natalie Dessay as Zerbinetta leads the troupe of comedians who unsuccessfully try to cheer Ariadne up. Susanne Mentzer is delightful as the young Composer of the opera-within-the-opera, and Wolfgang Brendel sings the Music Master.
John Dexter’s brilliant production of Britten’s searing opera stars Dwayne Croft in the title role of the handsome young sailor whose kindness and innocence cause his downfall. The great James Morris is Claggart, master-at-arms on the 18th-century warship Indomitable, who falsely accuses Billy of inciting a mutiny. Philip Langridge sings Captain Vere, the honest commander who knows that Billy is innocent but finds himself unable to save him. Steuart Bedford, Britten’s close collaborator during the last years of the composer’s life, is on the podium.
Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.