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Aliens, a great action movie, cheapened the original by replacing one hyper-intelligent, indestructible monster with an army of gormless critters. This third entry has only one creature, but unfortunately it's just as gormless. When Ripley (Weaver) crash-lands on a prison planet full of hard-nut slap-heads, they haven't seen a woman in years. Discovering that there's an alien loose, Ripley asks the warden to break out the guns, and can't believe it when she is told there aren't any. Nor can we. Good acting has salvaged many a poor script in the past, but not here. Dance is slaughtered in the first act, as is the regulation bastard warden (Glover), leaving only Sigourney, impressive as ever, and a motley cast of extras. Though wasteful of the expensive sets, Fincher's tight close-ups do add to the sense of claustrophobic panic.
Don't feck with The Baldies! Special Edition. I love it, I really do. OK! So it's basically a monster on the loose piece, but the setting at a sci-fi prison colony - complete with nutty religious shards - makes for a thrillingly atmospheric ride. Of course if this was merely a stand alone film, where there was no Alien and Aliens previously, I feel sure the special edition cut would be thought of differently. A roll call of Brit thesps line up for some tension filled entertainment as director David Fincher and cinematographer Alex Thomson provide a look that is both beautiful and scary. The metallic nightmare of chambers and cold concrete fused together for some hellish stalk and paranoia. Industrial Punk? Steam Punk? Cyber Punk? Fincher Punk? Hey man, we gotta give it a name! And of course there's Siggy Weaver front and center, the reassuring presence among the murderers, rapists and child molesters. I could live without the attempt at a transcendent finale, but in extended form this has much to light your fires. It also showed that Fincher would be a director to watch - imagine if had he been left alone to craft his own vision? His subsequent career and standing makes a mockery of the studio execs involved in the making of Alien³. 8/10
**Superior in every department to the basic shoot em up, Aliens,** Alien 3 returns the franchise to its artistic horror roots established by Ridley Scott. No more Disney kids, happy endings and machine gun wielding irritants. This movie is a beautifully bleak experience and is the true sequel to Alien (1979). Performances are excellent all round - especially Charles Dance as prison doctor, Clemens, and, of course, Sigourney Weaver - who gives us her best performance as the downtrodden Ripley. A masterwork by David Fincher that restores the horror and dignity to the series. Thank goodness for Alien 3! - Charles Dance
**The end of an epic trilogy** _Mild spoilers:_ Everything has been said about this movie already, but let's find out why the rating of it (on a different, shabbier website) is so low. Here are some points of a popular reviewer, who has almost 100 percent support of their readers. 1. At some points the audience is bored stiff and at other moments they are confused by the outlandish action sequences. Outlandish action? Was it too alien? And sorry you were bored by the exceptional cinematography, underlined by a pace that was just right not to rush things, which brings me the second point. 2. ...a disjointed mess that feels forced and rushed. Story seemed linear to me. And which one is it, boring or rushed? 3. The direction is never clear and there is no real screenplay here at all. This is just saying it was bad, without saying anything at all. How is this helpful. 4. Charles Dutton is pretty good, but his character lacks the development to really make him interesting. Everyone else is just present... Dutton's character needs no development. What do you want, him finding Jesus again? Dance's backstory is interesting, and we get to know little details about everyone else like for example the IQ of one of the guards who then later unexpectedly gives his life for what he believes in, pretty strong character development for a minor player in a Sci-Fi Thriller. And that is the main problem people have when rating "Alien³", they don't know it's not a horror film like "Alien" and it's not an action flick like "Aliens". 5. Overall a disappointment that is not very impressive at all. 2 stars out of 5. More bashing without sound reasoning behind it. This film is clearly underrated, and if the aforementioned reviewer had seen what we have seen in 2017, especially in the Science Fiction genre, he might even agree and change his opinion about how a "disjointed mess" looks like. I give 5 stars not to up the overall score, but because "Alien³" ends Ripley's ordeal in a stylish and original way, without insulting the intelligence of the viewer, or rehashing previous plot lines. 4 August 2017 I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.
Did Gordon Ramsay direct this? F-bombs galore! Sigourney Weaver remains a joy to watch, while Charles S. Dutton and Charles Dance are strong additions; Dutton especially. As for other positives, I enjoyed the score and the fact that we (seemed to) get way more of the alien itself; which is what I wanted from the first two, personally. The plot isn't the greatest but is very watchable, the ending is pretty good. One criticism I do have is the dialogue, as alluded to at the top of my review. I've nothing against the use of swear words whatsoever, but man does this film overuse the f-word; it feels like every other word across the conclusion. Overall, it's a definite drop down from the two very good predecessors, though I still got the required entertainment from 'Alien³'. A noteworthy directorial film debut for David Fincher.
This third instalment in the franchise reverts more to the original, more claustrophobic environment as "Ripley" (Sigourney Weaver) crash lands onto a penal colony run by "Andrews" (Brian Glover) where the inmates are all pretty unsavoury characters. It's not long after she arrives that one of them gets minced by an huge ventilation fan - but, was he? Her suspicions are further confirmed when one of the guard dogs has a very bad attack of gastroenteritis! With the help of the ex-convict doctor "Clemens" (Charles Dance), she has to galvanise her sceptical fellow humans to prepare for the impending onslaught whilst also dealing with some rather horrific personal information too! This has much more of a British feel to it, and that doesn't always work. Glover overacts badly, and Paul McGann, Dance and an out of his depth Danny Webb ("Morse") don't offer Weaver anything like enough support to create the sense of peril from "Alien" (1979). That said, though, the tightly shot photography in the interior scenarios and the deft pace from David Fincher do create quite a sense of menace without the need for gore or excessive special effects. It ends rather lamely, I thought, but is still quite a watchable sci-fi horror film that though not in the same class as the first two, is still very watchable.
When Ah Bu, a girl from a small fishing town in Taiwan, finds a glass bottle with a romantic message, she travels to Hong Kong to find her prince charming. As it turns out, her prince charming, Albert, happens to be gay. But all is not lost when Ah Bu meets the dashing Chi Wu. Meanwhile, Ah Bu's boyfriend from Taiwan comes looking for her, as the action and romance follow Ah Bu back to Taiwan.
When scientists exploring the Amazon River stumble on a “missing link” connecting humans and fish, they plan to capture it for later study. But the Creature has plans of his own, and has set his sights on the lead scientist's beautiful fiancée, Kay.
Nerdy high school senior Dizzy Harrison has finally gotten lucky - after purposely getting expelled, he takes lessons in 'badass cool' from a convict and enrolls at a new school. But can he keep up the ruse?
A homicide detective teams up with an evolutionary biologist to hunt a giant creature that is killing people in a Chicago museum.
Jimmy Neutron is a boy genius and way ahead of his friends, but when it comes to being cool, he's a little behind. All until one day when his parents, and parents all over Earth are kidnapped by aliens, it's up to him to lead all the children of the world to rescue their parents.
During a failed art heist, the Djinn is once again liberated. This time, to complete the 1001 wishes that he needs before the final 3, he lets himself go to prison, where he starts his evil reign twisting the hopes of the prisoners. Meanwhile, the woman who set him free accidentally, Morgana, tries to find a way to stop him, aided by a young priest.
40 years ago, a Celebi was being attacked by a Pokemon Hunter. Luckily, a young boy named Yukinari saved Celebi. Using its Time Traveling power, Celebi transported itself and Yukinari 40 years into the future. There, Satoshi, Kasumi, and Takeshi assist Yukinari to the healing lake in the forest so they can heal the wounded Celebi. Unfortunately an evil Team Rocket member, Vicious, tries to capture Celebi using his technology. As Satoshi and Co. try to get away from Vicious, they also run into Musashi, Kojiro, and Nyarth, who also want to capture Celebi. Soon it becomes a race against time to get Celebi and Yukinari back to the forest before Celebi is caught and is used to destroy the forest and themselves.
Back in sunny southern California and on the trail of two murderers, Axel Foley again teams up with LA cop Billy Rosewood. Soon, they discover that an amusement park is being used as a front for a massive counterfeiting ring – and it's run by the same gang that shot Billy's boss.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs".