Une certaine histoire du cinéma expérimental français

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

TARGET ST. LOUIS Vol. 1© tells the story of how the United State Military conducted secret chemical testing on citizens of St. Louis's Northside. Told through the eyes of the survivors who bravely share their experiences of being unwitting test subjects. Long before the current scandal of lead poisoning of the water supply of Flint, Michigan, the United States Army conducted secret experiments on unknowing residents of northern St. Louis using toxic chemicals. The predominantly African American residents of northern St. Louis are the focus of this film. "Target: St Louis Vol. 1" shares their disturbing story of how these Cold War experiments occurred and the film examines the actions of the US Military that extended beyond the guarantees of public safety promised to US citizens by the Constitution.

"Morada" is an experimental documentary that shows a little about the city of Acari, located in Seridó Potiguar. It has the main participation of Eilson Amarildo, better known as Negão Azul, who unloads fruits, vegetables and groceries in the municipality of Acari and neighboring regions.

The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.

Short experimental film.

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.

A song of love to the city of Genoa. The film wanders the streets of the city center and explore the beautiful cemetery and then climb the hills which offer an amazing view over the old town crossed by a highway and port.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.