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It may still be early in the year, but “Mafia Mamma” is a definite contender for worst film of 2023. This vapid comedy (from director Catherine Hardwicke) feels like it was crafted by a soccer mom groupthink, with a ridiculous fantasy story that’s struggling to be hip and edgy. It’s a truly terrible movie that’s a complete waste of time for everyone but those who have the absolute lowest of low standards when it comes to their choice of entertainment. Like most women, American mom Kristin (Toni Collette) has a lot on her plate. She keeps her home running despite dealing with the double emotional punch of her son going off to college as well as discovering that her cheating husband is having an affair. Things aren’t going so well when she gets a mysterious phone call with a shocking message: she has inherited her grandfather’s mafia empire in Italy. Guided by the firm’s consigliere (Monica Bellucci), Kristin must gain the self-confidence to become the new leader of the (mafia) family business. Admittedly, the fish-out-of-water premise is a good one. The story outline is fine, but the execution is a debacle. Although they are working within a very broad parameter of mass appeal, the screenwriting trio’s (Amanda Sthers, J. Michael Feldman, and Debbie Jhoon) script feels like a struggle to stay above water. The writing talks down to the audience and narrative includes dumb scenarios that feel like a sad sack’s fantasy (the worst being a hunky local guy (Giulio Corso) who is instantly smitten by Kristin the second she lands in Rome, and the eventual “twist” that anyone with half a brain can see coming from a mile away). It’s also filled with tired Italian stereotypes and has such a strong desire to be a “cool and different kind of comedy” that it earns an R rating with bloody violence and a bunch of cursing. Even worse is Collette’s performance, which is an overblown exercise in desperation and overacting. Her take on the timeworn goofy, gullible American shtick feels like a huge stretch, to the point where her character becomes a weak caricature of a real woman. Kristin is a complete clown, even in a film that is trying (but not exactly succeeding) to tell a story of female empowerment. It’s a tragic waste of Collette’s talent. She is so much better than this. I can’t think of anything positive to say about “Mafia Mamma.” Even your worst enemy deserves better. ** By: Louisa Moore / SCREENZEALOTS / WWW.SCREENZEALOTS.COM**
A completely stupid comedy. It could have been an excellent film for having almost all the conditions for it. Scenography, photography, etc, etc. Catherine Hardwicke's direction is embarrassing. A senseless cinematographic expense, where it would have had the possibility of being a pleasant comedy and it is not for being "silly". it is a pity. SCORE: (0 to 10) : "2" ------------------- Una comedia completamente estúpida. Podria haber sido una excelente película por tener casi todas las condiciones para ello. Escenografía, fotografía,etc,etc. La dirección de Catherine Hardwicke da verguenza. Un gasto cinematográfico sin sentido, donde hubiese tenido la posibilidad de ser una comedia agradable y no lo es por ser "tonta". es una pena. CALIFICACIÓN: (0 a 10) : "2" .-
New student Cady Heron is welcomed into the top of the social food chain by the elite group of popular girls called ‘The Plastics,’ ruled by the conniving queen bee Regina George and her minions Gretchen and Karen. However, when Cady makes the major misstep of falling for Regina’s ex-boyfriend Aaron Samuels, she finds herself prey in Regina’s crosshairs. As Cady sets to take down the group’s apex predator with the help of her outcast friends Janis and Damian, she must learn how to stay true to herself while navigating the most cutthroat jungle of all: high school.
A man confesses his sins and unveils the ugly truth of his life; he is killing for the same mobster that killed his father. Will Vinny Dapello follow his father's footsteps in the organized crime family? Or sacrifice his soul to save his life?
A suburban mom relives her season with the soccer obsessed sports parents whose outrageous "win at all costs" behavior spirals out of control.
Eileen Maloney, a hostess at a strip joint, has woken up to find her two children are missing. Lieutenant Bramm suspects that she killed them herself. He questions her for days about her lifestyle, her children, her ex-husband, men and women, and life in general. He forces her to re-enact her last moments in the children's room hoping to shock her into giving more information. The lieutenant's infatuation is not merely professional, however, and soon they are reversing roles.
On their fifth wedding anniversary, Sitio and Ana start arguing inside an elevator that keeps opening in their same floor. Emotionally and physically trapped, the two will have to work together to find a way out.
When three overworked and under-appreciated moms are pushed beyond their limits, they ditch their conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence.
Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.
Guy Carter, an insecure expectant father unable to find work in his field, accepts a job driving hookers around Los Angeles. One long and crazy evening proves to our hero that he is, in fact, up to the task of fatherhood.
Mid-fifties Anne Marie Fuchs lives modestly and withdrawn in Düsseldorf. When a murder happens, it becomes clear that the inconspicuous lady, who is always in short supply, seems to be an absolute investigator with a razor-sharp mind. No wonder, because Anne Marie Fuchs is a former East German spy, especially one who still has a bill from her active time open.
The whole family is reunited when Sofia comes back for his father's funeral. Quickly, inner problems are revealed.