Tuesdays Trash 2024 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
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Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
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The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
Venom The Last Dance 2024 - Movies (Jan 15th)
Sentinel 2024 - Movies (Jan 15th)
The Beat with Ari Melber - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Cruising with Susan Calman - (Jan 17th)
The Traitors- Uncloaked - (Jan 17th)
Travel Man- 48 Hours in... - (Jan 17th)
The Bold and the Beautiful - (Jan 17th)
The Traitors - (Jan 17th)
Love During Lockup - (Jan 17th)
Love Island- All Stars - (Jan 17th)
For the Love of DILFs - (Jan 17th)
8 Out of 10 Cats Does Countdown - (Jan 17th)
Richard Osmans House of Games - (Jan 17th)
The Good Ship Murder - (Jan 17th)
Katy Tur Reports - (Jan 17th)
The Kelly Clarkson Show - (Jan 17th)
Chris Jansing Reports - (Jan 17th)
Would I Lie to You - (Jan 17th)
Andrea Mitchell Reports - (Jan 17th)
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_This excerpt is from a review written by Omeleto curator Allen Tsai:_ Directed by Brett Cramer from a script co-written with actor Meg Cashel, this dramedy is sharply witty and deeply serious in its portrayal of a couple navigating the line between keeping the peace and keeping one’s integrity. The film has a perceptive thoughtfulness on all levels, balancing both the humor of an awkward situation with the doubts and uncertainties it ultimately reveals. The short is essentially a long scene that leans on dialogue to move its story forward, and the visuals keep the focus on the couple’s unspoken thoughts and emotions. The moody, burnished cinematography plays against the sometimes antic pace of the dialogue, and though there is little camera movement, the editing and shot composition make sure the audience never misses a micro-reaction or fleeting thought from the couple. Visually, the film is a master class in how the simplest elements of cinematic art can yield terrific storytelling when leveraged with great thought, clarity and intention. But the strength of the film is its precise writing and excellent performances. There’s great humor in how Anna and Tom dance around the truth in their desire to win over the priest, as well as how the archaic beliefs of some religions don’t reflect modern relationships. Actor Meg Cashel nails the perfect balance between comic neuroticism and sharply critical thought, asking provocative questions not just about religious dogma, but about how to balance individual truth with the larger partnership. As the situation escalates, Anna can’t help but explode in a torrent of thought — one that reveals the deeper, thornier truths between the couple. Both warmly empathetic and accessibly cerebral, “Together” is quietly thought-provoking, using its humor to examine not just the role of religious faith in modern life, but also how silencing our voices to make a partner happy can open up great fissures of division. Just like how the film’s seemingly modest scale belies its precise craftsmanship, a simple pared-down scene becomes a tour-de-force of great insight and deep melancholy, when deep truths come out and fates of people shift in a new direction, forming the emotional earthquakes that make up the plot twists of ordinary life.