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LIVE with Kelly and Mark - (Dec 23rd)
Alien Files- Reopened - (Dec 23rd)
90 Day Pillow Talk Before the 90 Days - (Dec 23rd)
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The Sunday Show with Jonathan Capehart - (Dec 23rd)
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Taisho Era Contract Marriage- The Substitute Bride and a Soldiers Fierce Love - (Dec 22nd)
The Worlds Strongest Man - (Dec 22nd)
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You Bet - (Dec 22nd)
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***Iconic Medieval adventure of the early 90s*** Released in 1991, "Robin Hood: Prince of Thieves" stars Kevin Costner in the title role. While some have argued that Costner was too humorless and brooding for the part, this is a cinematic myth. There are quite a few places in the film where he can be seen smiling and having a good time, like when he makes it back to England after the Crusades or when he's spending time with Marian in Sherwood Forest. Thankfully, he's more three-dimensional than this and so you also see him desperate, angry, grieving, vengeful, strategizing, contemplative, etc. To be honest with you, Costner was in his prime at the time and towers in the role; whether or not you like him is a matter of opinion. Mary Elizabeth Mastrantonio as Marian is memorable with her unique facial features and odd hairstyle even though she doesn't trip my trigger. Morgan Freeman as the Moor Azeem is an excellent partner for Robin Hood while Alan Rickman and Michael Wincott are effective villains as the Sheriff of Nottingham and Guy of Gisborne respectively. Christian Slater, Nick Brimble and Michael McShane are also on hand as Robin's sometimes merry men, the latter two being Little John and Friar Tuck. I've always had mixed feelings about this movie due to its mixed tone and the fact that it loses its mojo in the last 45 minutes. Concerning the first, the flick is often serious and brutal, but it's also sometimes cartoonish and over-the-top. Rickman particularly hams it up, entertaining though he is. Another good example is Geraldine McEwan as the ee-vil witch Mortianna. Her portrayal is spooky and Gothic in a comic book horror kind of way, but it detracts from the many parts that establish the story as believable quasi-history. Still, she's excellent as the hideous witch. Another example is the semi-goofy, overly heroic action scenes, like Robin & Azeem being catapulted over the castle wall. Why sure! Concerning the second criticism, the movie is overlong by about 25 minutes. When the Celts attack the camp at the 95-minute mark I always start to lose interest and the rest of the movie is a tedious blur. But there’s a lot of medieval action, if that’s your thang. As far as medieval films of the British Isles go, I prefer the more serious and consistent tone of "Tristan + Isolde" (2006) and "First Knight" (1995). Nevertheless, “Prince of Thieves” is an entertaining Robin Hood adventure and is iconic of early 90's cinema. The entire first act is the best part followed by the many Sherwood Forest sequences. And the climatic cameo by a certain famous actor is a nice touch. I enjoy seeing “Prince of Thieves” every five years or so. The film runs 143 minutes and was shot mostly in England, but also France. My wife loves the end credits’ song “(Everything I Do) I Do it for You” by Bryan Adams. GRADE: B/B-
I've always been a fan of the baddie in films - and this film really belongs to Alan Rickman's "Sheriff" with a good supporting effort from Geraldine McEwan as his harridan witch cohort. They bring almost all of humour and menace. The bulk of the rest of the film is a pretty run-of-the-mill vehicle for Costner, Freeman and Mastrantonio - and moves along well enough as a pretty formulaic, very freely adapted, costume drama. Brian Blessed hams marvellously in the few scenes he has and the score works well into the fabric of the movie. Sadly, the writing and direction are nothing special. Errol and Basil have little to worry about.
In the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France in 1415.
Pepe Le Moko is a notorious thief, who escaped from France. Since his escape, Moko has become a resident and leader of the immense Casbah of Algiers. French officials arrive insisting on Pepe's capture are met with unfazed local detectives, led by Inspector Slimane, who are biding their time. Meanwhile, Pepe meets the beautiful Gaby, which arouses the jealousy of Ines.
The epic battles between the Heike and Genji (Taira and Minamoto clans) take centerstage as the defeated leader of the Genji, Minamoto Yoritomo resolves to end his clan's exile and avenge the brutal loss in December, 1159 as they had fought under the white banner of the Emperor, while the Taira fought under their red flags in a battle to the death. The fight only took one day, with the Genji suffering utter defeat which led to their exile. His father, Yoshitomo, took responsibility for the loss and rather than live in humiliation, he decides to commit suicide with all his sons following him. However, the bravest warrior among them, Yoritomo stands tall and declares that he will not kill himself, but rather will fight to restore the clan.
Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
After his wife dies, a blacksmith named Balian is thrust into royalty, political intrigue and bloody holy wars during the Crusades.