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This movie is about the life and death of the poet, Hart Crane (James Franco). It details his life, working for his father, trying to find time for his poetry, but also about his love life as a gay man. It is actually a very straightfoward movie, shot chronological, but does have some elements of poetry in the images as well (especially in the beginning of the movie), although not as much as I would have loved. The images themselves are mostly black and white, made with a handheld camera that makes the images very lively and nervous. These are good choices for a movie of this character. It has the feel of a documentary, although it clearly is not. Another trick that the movie uses, is to divide the movie into chapters, or as they call them, _Voyages_. Each voyage also has a subtitle or description that lets us know what to expect. It ties in well with the literary tradition. James Franco clearly have a lot of admiration and love for Hart Crane, which makes him very believable in the role. Hart Crane is a fragile man, who only wants to write poems and be alive. He has no great expectations of life, but doesn't feel like the world understands nor accepts him. In another (minor) role as Hart's lover, we see one of my favorite actors, Michael Shannon. I like it when big actors take on minor roles like this, it shows that they aren't just in this game for the money, but to tell important stories. This would most likely be considered to be a B-movie, whatever that actually means, but when you look closer, it actually makes a very believable setting and the actors are great in their roles. All the choices concerning the colours, the nervousness of the handheld camera and the messy editing, those are, I think, on purpose. The emphasize the feel of Hart Crane, as they make sure we get right under his skin. _Last words... a bold movie that dares be different, much like Hart Crane himself. It is not a huge movie by any means, and yet, it is a very personal and emotional movie if you dare get involved in the Voyages of Hart Crane. For whatever it's worth... this movie gave me a reason to look up the name Hart Crane and, perhaps, emerge myself in his poems. At least, a book now resides on the shelves... with the name Hart Crane._
A passionate coming-of-age tale set amidst the conservative confines of modern Tbilisi, the film follows Merab, a competitive dancer who is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak.
A portrait of Frank Lloyd Wright (1867-1959), a genius of modern architecture, whose life passed between glory, scandal and tragedy.
Because they were considered disobedient to the Japanese Government, four Japanese officers came to the Sukamanah Islamic Boarding School to force KH Zainal Mustafa to be taken to Tasikmalaya. Hundreds of students stood in front of the Sukamanah Islamic Boarding School armed with bamboo swords. All four Japanese officers were killed. In response the Japanese Government sent troops in greater numbers. Many Santri died as martyrs in the battle known as the bloody Sukamanah incident. The incident occurred on February 25, 1944.
In a time of political and social unrest in 19th century Korea, uncouth, self-taught painter Jang Seung-up explores his natural talent amidst the repressive world around him.
Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.
As the only legitimate heir of England's King William, teenage Victoria gets caught up in the political machinations of her own family. Victoria's mother wants her to sign a regency order, while her Belgian uncle schemes to arrange a marriage between the future monarch and Prince Albert, the man who will become the love of her life.
A gay couple from Hong Kong takes a trip to Argentina in search of a new beginning but instead begins drifting even further apart.
A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.
Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani's best kept secret, that he is in love with another man.
