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**Middle class family, job, promotion, stress free life, and fall and rise.** I agree with the majority that this is not the best film, but not bad either. The problem with it was the slow start and slow middle part, but the final act was so good. When I was watching it, I did not think I would rate it decently. I changed my mind after seeing the final few minutes and how it all ended. The film focused on a middle class family man who is working in a supermarket chain. But this is particularly about him and his boss. After he declined the top position in the office to lead a stress free normal life, his new boss who gets close to him for his good character. That complicates him, between office and family. When a big opportunity knocks, followed by a roadblock, what happened after that was covered in the remaining narration. Basically, the whole film was concentrated between two plus one character and occasionally supporting cast. As the poster hint, it's not Parker Posey's film, she was only part of it and a famous name among the cast. Though, actors like Amt Schumer and others are in small roles. So the performances were good, with the decent storyline. This is not a famous film, I don't think many had seen it or heard of it. It was more like a television film, the quality wise, especially for the holiday season. I Think it can be watched once with a low expectation, particularly the comedy parts. _6/10_
The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Stepmother Doris' final feast turns deadly when her dying husband's three children plot to poison her, driven by a sinister desire to claim their father's inheritance.
Five different criminals face imminent death after botching a job quite badly.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.