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Unfrosted, directed by Jerry Seinfeld, is a mock biopic about the creation of the Pop-Tart that ultimately falls short. While there are quite a few laughs and plenty of absurdity, these elements aren’t enough to save the film from its shortcomings. The film is notably short on story, with a narrative that feels thin and underdeveloped. The comedy, while occasionally effective, often feels too forced and over-the-top. The film's humor is in-your-face, with jokes and gags that don’t always land. Additionally, the frequent celebrity cameos, while amusing at first, quickly become a distraction. The novelty wears off, leaving the audience to wonder if these appearances are meant to compensate for the lack of a strong story. Despite its flaws, the film does have its moments. Some of the absurd humor does hit the mark, providing genuine laughs. The performances are generally solid, with the cast embracing the film’s outlandish premise with enthusiasm. This commitment helps to elevate some of the weaker material. Jerry Seinfeld’s directorial efforts show promise, despite the film’s shortcomings. His unique comedic voice is evident throughout, and his willingness to experiment with the mockumentary format is commendable. In conclusion, Unfrosted is an ambitious but ultimately flawed film. While it delivers some laughs and features moments of absurdity that fans of Seinfeld’s humor will appreciate, it falls short in terms of story and overall cohesion. The film’s heavy reliance on celebrity cameos and over-the-top comedy often feels more like a crutch than a strength. However, Jerry Seinfeld's directorial debut shows potential, and it would be interesting to see him tackle another project with a more robust script and narrative structure. For now, Unfrosted serves as a light, if not entirely satisfying, diversion.
At all points of this show are jokes. There is something wrong with the jokes. They simmer as a smile under the surface. A Jerry Seinfeld smirk at a recognizably funny concept. I like the universe they built. It's fun. Hugh Grant is fun. Fatties are fun. Jerry is the funniest man in the history of funnymen. It is a clever joke to worship the pop tart. It is a clever call out to the Nike movies. To lionize Kellogg and Post is a clever joke. Though all their criticisms are cutting at the content of the food ruining America. Everyone knows sugar is bad...they also show torture in war flicks. The other criticisms are general. Nepo-babies or cuts on corporate culture. It is such a fucking advertisement. Not a clever joke. When making a war film, to use the military's gear you have to clear their representation in your story. Feels like a war film. Oooh man but, like in reality, the pop tart is not such an achievement...hilarious! But it did culminate all our knowledge in food science so it really was an achievement. It is just legit product worship! That's a cleverer joke. You COULD laugh if you let down all defences toward comedy. Pre-Encino Man you. Childlike, innocent. Now look at the screen. You see it? It's funny. This may be Buddha's favourite film.
"Unfrosted" is a movie that takes an unexpected and comical approach by centering its storyline around the Post and Kellogg's brand cereals. Initially surprising and cheesy at times, the film manages to entertain with its amusing premise and playful depiction of the battle between various cereal brands leading to the creation of Pop-Tarts and Toaster Strudel. Despite its unconventional subject matter, the movie succeeds in engaging viewers with its humor and creativity. The characters and actors involved in the film are surprisingly effective, drawing audiences into the historical aspect of cereal production and brand rivalry. While one might not expect to be so engrossed in a film about cereal brands, "Unfrosted" proves to be a funny and entertaining experience that offers a unique perspective on the creative side of the cereal industry. The movie's ability to blend humor and historical context has garnered it numerous award nominations, highlighting its success in presenting a fresh and imaginative take on a seemingly mundane topic.
Featuring Paula Poundstone. With Anthony Griffith, Doug Kehoe, Marty Putz, Jeff Stilson
Set during World War II, somewhere in Eastern Europe. A German soldier is found dead near the village. The local authorities must find the culprit, or they will be all shot by the Nazis the morning after. There's no way to find the guilty one, but there's Ipu, the madman of the village, whom they promise a hero's funeral if he will claims responsibility and agrees to die in their place. He must decide, and time is running out.
In a world where toys are living beings, a forgotten doll seeks out his former owner during the holiday season in Toronto, while putting himself at odds with the corrupt factory executive who created him.
Andres (Jean Pierre Agostini) it's a fan of Los Leones del Caracas one of the principal baseball teams of Venezuela. Julissa (Juliette Pardau) it's a fan of Los Navegantes del Magallanes, the rival team. One day Andres gets tickets to see the game in Magallanes VIP Zone. He meets Julissa and her dad who is not only fan but one of the team's managers. Andres and Julissa will fall in love and will have to pretend to be fan of the other's team. But soon trouble will arise.
Karanina "Nina" Novak, is befriended by Nifty, the leader of a four-piece orchestra, and in return, secures an engagement for them at the Little Aregal Cafe, with herself as the vocalist, by pretending she once knew the King or Aregal back in the old country. Steve shows up pretending to be the King of Aregal, and complicates the growing romance between Nina and Nifty. When Steve runs off with Opa, the real King of Aregal (also Steve) appears and complicates things again.
When old-school monsters Frank, Drac and Wolf are deemed "fun" by a court of elders, they're ordered to scare a suburban family or risk a sentence of party entertainers for eternity.
Romain Faubert is a 39 year old, single, medical photographer... and a raging hypochondriac. His doctor and only friend Dr. Dimitri Zvenka thinks he knows the cure for Romain: dating! But with the arrival of freedom fighter Anton Miroslav, everyone might get more then they bargained for...
Graf Porno is a real playboy who makes money out of everything that falls into his hands. During great sex parties he puts his girls on and afterwards everything that is not nailed down is missing. Harry Holst, on the other hand, is a young man who has successfully completed a correspondence course as a private detective and is now waiting for clients...waiting and waiting.