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I have watched a few movies based on Raymond Chandler’s Philip Marlowe, and I can’t say that any of them dazzled me, even though they were usually played by actors I liked. This version struck me the same way. I really like Liam Neeson and feel that he has elevated a few B quality movies I have seen him in. But either he couldn’t or wasn’t allowed to work similar magic here. The characters don’t mumble exactly, but the overall effect to me is that they might as well have been. The dialogue isn’t exactly electric and they seem to deliver them rather matter of factly. When Marlow beats up a few guys and says, “I am getting too old for this,” it comes out sounding like the tired cliche it is rather than a heartfelt observation by a jaded private eye. So I can’t help but label this as a missed opportunity; I mean, it’s Liam Neeson for goodness sake. Write the man some better lines and action sequences.
Regardless of what a lot of people claim, this is a quite good old-fashioned murder mystery and private investigator story. It is quite well done in the style one would expect when implementing a story where the main character is the famous Philip Marlowe. This kind of story should not be filled with insane action, psychopathic outbursts or any other of the other stuff that Hollywood (as well as probably the younger audience) seems to think that every movie needs. Is it slow as many people say. Sure if you compare with John Wick it is slow. For a Philip Marlowe movie it is just right. When watching this movie I was really quite happy that this was not another movie (and character) that Hollywood felt they had to “modernize” like the remake abominations where Hercule Poirot runs on top of train cars and chases murderers waving guns. It is a good mystery story. It is a good implementation. Liam Neeson, whom I generally like as an actor, is quite a good fit for the role of Philip Marlowe. Overall I quite enjoyed this movie. The fact that the so called “critics” at Woke (Rotten) Tomatoes gave this movie 25% Rotten of course destroyed any credibility these woke hacks might have had left. If I move does not project the right agenda it is rotten by their standards, or rather lack thereof.
It's the lawless future, and renegade biker Harley Davidson and his surly cowboy buddy, Marlboro, learn that a corrupt bank is about to foreclose on their friend's bar to further an expanding empire. Harley and Marlboro decide to help by robbing the crooked bank. But when they accidentally filch a drug shipment, they find themselves on the run from criminal financiers and the mob in this rugged action adventure.
An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.
After being hired to find an ex-con's former girlfriend, Philip Marlowe is drawn into a deeply complex web of mystery and deceit.
Private eye Philip Marlowe is hired by ex-con Moose Malloy to find his girlfriend, a former lounge dancer. While also investigating the murder of a client and the theft of a jade necklace, Marlowe becomes entangled with seductress Helen Grayle and discovers a web of dark secrets that are better left hidden.
In Los Angeles, a gang of bank robbers who call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. Believing that the members of the gang could be surfers, the F.B.I. sends young agent Johnny Utah to the beach undercover to mix with the surfers and gather information.
Los Angeles. A wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
An Orange County teenager's carefree life of ditching class and skateboarding abandoned pools comes to a screeching halt when someone close to him dies. The cops rule the death a suicide, but the bereaved skater believes he was murdered. It's up to him to solve the case, with a skateboard.
Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.