La Face cachée de Persepolis

In this immersive documentary, Winston Stairs invites the audience on a soul-soothing expedition into the world of hiking. Winston’s adventurous spirit guides the viewer through the forests of Ontario, sharing in the enchanting beauty of nature. Through breathtaking landscapes and personal reflections, the film captures Winston's profound love for hiking as more than a mere pastime—it becomes a transformative experience that welcomes self-discovery and a strong relationship with our environment. Join Winston on this inspirational trek, where every step reflects the joys of exploring and the tranquil side of our planet.

How to make porridge using a haybox.

"Wild Cats 3D" is the story of the magnificent lions, cheetahs and leopards of southern Africa. Kevin Richardson, the "Lion Whisperer", leads an expedition into their extraordinary world.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

Eighteen-year-old Aaliyah flies on aerial silks. Her 16-year-old cousin Bre twirls on hoops. They dream of escaping the violence that marred their young lives. Their possible ticket out is the after-school program Trenton Circus Squad. Now that Covid-19 has changed everything, will the circus and the girls’ dreams survive?

When does someone stop being a Stranger? In a world emerging from social lockdown, this documentary explores the way communication is changing. Seven participants give us their views on social interactions, before having a conversation with a Stranger. Will this change their perceptions?

Thea’s life is changed when she receives an unexpected call from her childhood ‘friend’, May. Memories of the past with May shake Thea out of the mundane and into the queer London landscape; although it doesn’t immediately welcome her with open arms. Except in the form of Mimi, a liberated and fellow queer femme, who shows Thea the unconditional love and friendship that queer community is built off. Inspired by a true story, this heartfelt short film celebrates the magic of queer femme friendship and love.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

Former footballer Paul Merson sets out to understand why his life has been so blighted by gambling and asks if enough is being done to prevent others following in his footsteps.

Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.