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I'll start by saying this would have been better without need, yet again to peddle "the message". I'm royally sick and tired of it and I'll bet a lot of others are, too. Okay, putting aside the woke nonsense, I can say, in most regards, this is a very watchable action film. Decent dialogue, a simple but functional back story and lots of well executed (pun intended) action. Acting is solid and there is great chemistry, between the cast. In summary, a very watchable action flick, that I would have rated even higher, if "the message" had been left on the cutting room floor.
Propaganda Piece Use any weakness your opponent may have. This is the killer way (from Sun Tzu's - The Art of War). Netflix on the other hand knows that our weakness is K Drama. So in order to get its woke message of civilization deconstruction it cunningly wraps it up as an action movie. A cynical, glossy, over-dramatic mess of an action movie that is also quite full of itself. Western movie festivals proudly endorse it. After all it has been stamped by the rainbow people and they decide what art is nowadays. A weak K drama copy art-house wannabe stunk up by Woke town politics and weak action scenes which I will soon forget. But not forgive. A pity with all the talented cast. I will not watch Netflix productions again. Hope they go under like Bud light, but I'm afraid it's too late for the US and Western Europe (some westernized Asian countries included). If you don't believe me or think I'm being unfair, watch Yuri Bezmenov's lecture on societal ideological subversion techniques and stages (demoralization-destabilization-crisis-normalization) on YouTube. To bring about societal crisis and further divide the population, you need to create oppressed groups, radicalize them and give them power. Introduce ideas of "equality" and "inclusion", demonize the police and erase religion to create new cults and ideologies. Turn all values upside down. Sounds familiar ? The process of western societal destruction has almost past the point of no return. 1* out of 10
For those who have seen many South Korean action movies and series, like myself, this film is no exception. It's made the way they always made action movies. So, sit back, get comfortable and be entertained. As for "woke" whatever and "the message it brings", people who suffer due to that (whatever it is), seem to see it everywhere! This whole page is starting to look strange, because it's become a platform for people who write the exact same review for everything that appears on this page. Same "oh, woke message, their influence, bad movie or series, it's woke blah blah". I see it everywhere on this page now and it almost makes me not want to visit this page. It's not about the work, the story, the acting, the directing. And it is serious. It seems to have become all about that "idea" and "message of woke" - whatever it means. People could not care LESS about "woke" in my part of the world and in MANY others. Also, most of the time, there is NO evidence of this, it has nothing to do with the work, which makes me wonder - do they even watch? Or just "copy - paste" the same review? Now, South Korea does not suffer from this "condition" and "message"- in any case, not yet. Let's make that clear. What they make is not burdened by this "problem". So my advice to these "critics" would be this: Stop putting people off perfectly normal series and movies, by venting about something that affect you, your region of the world and seems to rule and color everything you see. It is WRONG. We're come here to discuss movies and series and not to vent our personal and political grudges. It's not fair to those who might miss out on fun and good stories, if they were to take this uninformed, malicious advice. In conclusion: People of the world, feel free to watch this movie, it's nicely paced, entertaining, with some solid acting.
The eponymous garçonne or flapper is Monique Lerbier, an emancipated French woman who leaves home to escape a marriage of convenience to a man she does not love which her parents have forced on her. She then falls into all sorts of carnal temptations and artificial pleasures previously unknown to her. These include her being seduced into a lesbian love affair by a chanteuse.
Valerie has broken up with the love of her life. She begins a new existence of having to adapt to a single life and is not coping well. To help ease the pain, she has a string of one-night stands, indulges in drugs and self-mutilation.
Chev Chelios, a hit man wanting to go straight, lets his latest target slip away. Then he awakes the next morning to a phone call that informs him he has been poisoned and has only an hour to live unless he keeps adrenaline coursing through his body while he searches for an antidote.
Gilbert Grape is a small-town young man with a lot of responsibility. Chief among his concerns are his mother, who is so overweight that she can't leave the house, and his mentally impaired younger brother, Arnie, who has a knack for finding trouble. Settled into a job at a grocery store and an ongoing affair with local woman Betty Carver, Gilbert finally has his life shaken up by the free-spirited Becky.
A genetically engineered assassin with deadly aim, known only as "Agent 47" eliminates strategic targets for a top-secret organization. But when he's double-crossed, the hunter becomes the prey as 47 finds himself in a life-or-death game of international intrigue.
Angela Bennett is a freelance computer systems analyst who tracks down software viruses. At night she hooks up to the internet and chats to others 'surfing the net'. While de-bugging a new high-tech game for a cyber friend, she comes across a top secret program and becomes the target of a mysterious organization who will stop at nothing to erase her identity and her existence, in order to protect the project.
This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.
Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
After finding an odd envelope, Policeman Ming-han's life takes a spooky turn: He's now wed to a ghost husband, and they must solve a crime together.
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.
A journalist goes undercover to ferret out businessman Harrison Hill as her best friend's killer. Posing as one of his temps, she enters into a game of online cat-and-mouse.