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Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Megacities is a documentary about the slums of five different metropolitan cities.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

19th century Argentina. After having had to leave the country fifteen years ago, prodigal son Rodrigo finally returns to the family farm in Mercedaria to introduce his wife Bianca to his parents. He’s not really looking forward to this family reunion. His youth was spent working with the slaves on the farm who were treated without mercy by his parents. His father regularly abused the female slaves, while his mother even burned one alive to save the family honor. It’s time for some ghostly revenge and this happens to coincide with Rodrigo’s return.

During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.

A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.

In Portugal, the daily life of a bronze foundry, specialized in the semi-industrial production of spare parts for the naval field, is compared with the freedom of spirit characterizing the "pottery of monsters" on a village square where everyone gathers.

Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.

Two guys and a female hitchhiker are terrorized by a monstrous looking man driving a giant monster truck.

Esther's life is panning out nicely. She will soon move in with her boyfriend Vincent and she seems set to get a permanent position at the public relations company where she freelances. All would be fine if Esther didn't accidentally discover a piercing curiosity about her own body.