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This is a very good movie and can be a difficult one to watch if you know the history as I did, I of course knew where it was going front the beginning and where it would end up. The writing was strong and the acting superb much of the time. I highly recommend it for anyone young or old who is unfamiliar with he story. Despite the rawness of Danielle Deadwiler’s performance and the clean way the tragedy unfolded, on some weird level I wasn’t as affected emotionally as I would have expected to be. I don’t even know why. A few intangible reasons perhaps? Such as not feeling a lot of chemistry between the main characters. Like I say, I am not even sure myself. It is an excellent movie, but not one that will stick with me as a powerful slice of history like this should, or make me likely to feel I have to watch it again. But yes, do see it once at least.
Based around the true story of the appalling murder of the young Emmett Till in a racially divided 1950s USA, this delivers a truly powerful performance from Danielle Deadwyler as his mother. A woman who becomes distraught, angry and determined. Determined that those who killed her child are brought to justice. The history, sadly, tells us just how the judicial process of Mississippi back then was just as bigoted as the vast majority of the white folks who treated African Americans as little better that labouring cattle. This film is well put together, with plenty of attention to the aesthetics of the scenarios. What helps is stand out though, is the lead performance. It is gently complemented by a supporting cast that includes the engaging young Jalyn Hall as the optimistic and decent young man, but it is really all about Deadwyler and her nuanced and thought-provoking effort as the mother who funnels her distress and despair into something positive. For her, and for a broader society at large that was either unaware or just indifferent to the practical, political and downright dangerous obstacles faced by those of a different colour if they even thought about staring from the prescribed social "norms". Chinonye Chukwu keeps the pace of the story tight and well focussed - there is little room for sentiment or melodrama in this drama. There's a slide at the end that rather sums the whole thing up - the anti-lynching legislation that bears this young man's name was only implemented in 2022!
After being involved in a traumatic incident, 17-year-old Gong-ju is forced to change schools. Uncared for by her parents, her previous teacher arranges for her to hide away at his mother's place. It takes time for her past to catch up with her, but when it does the revelation is devastating.
At the beginning of the century, in Italy, a wealthy woman Francesca (Loren), adopts a poor little girl named Nunziata. The years pass, Nunziata falls in love Federico (Bova), her adoptive brother, son of Francesca.
There are three children growing at Tammaru farm - one boy, Margus; and two orphan girls, Mari and Tiina. Tiina is lively and full of energy. Margus holds her very dear to him. Margus's parents want him to marry Mari instead as she is more their kind. Hotblooded Tiina is completely different from them and her mother was once executed for being a witch. Mari thinks that Tiina has bewitched Margus and cannot stand this, so she starts to publicly blame her stepsister for being a werewolf.
When East Germany ceases to be separate from its western half, one would think that things would be better for the couple in this movie who have been plagued by sexual and political harassment of the most virulent kind, but , they are completely unprepared to cope with the swift changes that are transforming their familiar yet desperately unhappy world. In the story, Heinz is a laborer in the cooperative apple orchards of an East German village and has married his sweetheart Lena. She works to take care of the sickly wife of the co-op's manager and also must cope with the sexual attentions of the perfidious man. One day, after discovering this state of affairs, Heinz blows up and assaults his wife's harasser, which only serves to land him in jail. While in prison, the state secret police (the Stasi) get him to help them entrap the co-op manager, whom they believe is going to try to defect.
A stand-up comedian confesses to a murder on-stage at an open mic night to a shocked audience - his crime the result of a deadly triangle formed between his older sister, just released from prison after a 20-year stay for the murder of their parents, the loving bond he now shares with a caring surrogate family, and the ultimate choice he must make between them - his dysfunctional blood ties with his own sister, or his picturesque view of the ideal family.
Love, Sex, Marriage, Divorce... just not in that order. Within the framework of a record album, Gala & Godfrey tracks the classic moments in the lives of a charming, exasperating British expat and his American wife through 12 years of their sexy, chaotic romance and divorce.
Ali (Amit Sial) is a photographer and bike messenger who lives in New York. He develops a friendship and falls in love with a married woman, Saloni Oberoi (Mahima Chaudhry). When her husband, Harry Oberoi (Vikram Chatwal), is killed during the September 11 attacks, Harry's father, a retired Colonel (Anupam Kher), begins to take his aggressions out on Ali for being a Muslim. Although Mrs. Oberoi (Suhasini Mulay) tries to stop the Colonel's behavior, the situation escalates as the Colonel, himself, becomes the target of social post-9/11 aggression directed towards him because he is a Sikh. (Wikipedia)
Paris, France, December 1897. The young playwright Edmond Rostand feels like a failure. Inspiration has abandoned him. Married and father of two children, desperate and penniless, he persuades the great actor Constant Coquelin to perform the main role in his new play. But there is a problem: Coquelin wants to premiere it at Christmas and Edmond has not written a single word.