Eephus 2024 - Movies (Jul 2nd)
Flow 2024 - Movies (Jul 2nd)
Dora and the Search for Sol Dorado 2025 - Movies (Jul 2nd)
Jurassic World Rebirth 2025 - Movies (Jul 2nd)
Heads of State 2025 - Movies (Jul 2nd)
The Old Guard 2 2025 - Movies (Jul 2nd)
Sinners 2025 - Movies (Jul 2nd)
The Noisy Mansion 2025 - Movies (Jul 1st)
Shadow Force 2025 - Movies (Jul 1st)
Warfare 2025 - Movies (Jul 1st)
Vulcanizadora 2024 - Movies (Jul 1st)
Guns Up 2025 - Movies (Jul 1st)
Hunting Grounds 2025 - Movies (Jul 1st)
Tornado 2025 - Movies (Jul 1st)
Bring Her Back 2025 - Movies (Jul 1st)
Trainwreck The Cult of American Apparel 2025 - Movies (Jul 1st)
Ice Road Vengeance 2025 - Movies (Jul 1st)
Ballerina 2025 - Movies (Jul 1st)
Stand Your Ground 2025 - Movies (Jul 1st)
Lilo and Stitch 2025 - Movies (Jun 30th)
Pretty Hurts 2025 - Movies (Jun 30th)
Deadline- White House - (Jul 2nd)
Love Island - (Jul 2nd)
Britain’s Most Expensive Houses - (Jul 2nd)
Chris Jansing Reports - (Jul 2nd)
The Bold and the Beautiful - (Jul 2nd)
Honestly Cavallari- The Headline Tour - (Jul 2nd)
Celebrity Puzzling - (Jul 2nd)
Bargain-Loving Brits in the Sun - (Jul 2nd)
Piers Morgan Uncensored - (Jul 2nd)
The Ultimate Fighter - (Jul 2nd)
The Last American Vagabond - (Jul 2nd)
The Secret of Skinwalker Ranch - (Jul 2nd)
The Valley - (Jul 2nd)
Beyond Skinwalker Ranch - (Jul 2nd)
Gruen - (Jul 2nd)
Train Rescue Down Under - (Jul 2nd)
DORA - (Jul 2nd)
#Somebodys Son - (Jul 2nd)
Marie Antoinette - (Jul 2nd)
Diary of a Junior Doctor - (Jul 2nd)
An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.
Shot over more than two years, the official film of the 2022 Winter Olympic Games in Beijing goes behind the scenes to share the stories of international and Chinese athletes, volunteers, medical personnel and officials - against the backdrop of a global pandemic.
Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Three Swedish teenagers express their thoughts about bi- and homosexuality while navigating questions of identity, self-acceptance, and societal expectations. Through personal stories and reflections, the film explores their struggles, hopes, and the challenges of growing up as LGBTQ+ youth in Sweden.
The underdog story of a fencer from Brooklyn who overcomes a gauntlet of hardships on the road to the Olympics.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.