Lunes o Martes, nunca Domingo

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

The Hamburg friends Walter, Ricco and Floyd take each day as it comes between the estates of tower blocks and fast food restaurants. All three are in their early twenties and are dreaming of another life when Floyd suddenly takes a job on a freighter going to Singapore.

During the trip back from their vacation, a young couple is stranded in the middle of the road and they lose all forms of communication, including each other.

Released from prison and terminally ill, Parvis Karimpour is determined to be reunited with his daughter, Nasrin, who fled Iran for Europe many years before. Crossing the Mediterranean only to be unceremoniously dumped on the Spanish coast, Karimpour makes for Madrid in search of his erstwhile only child. Along the way he meets failed Italian pianist Fabrizio and spoilt German dreamer Almut – fellow migrants struggling to make their way in a Europe beset by economic turmoil. The search for Nasrin lends Karimpour’s new friends a sense of purpose, and the unlikely threesome take up her trail.

Long-haul driver Hannes (Manfred Krug) picks up a young hitchhiker, Herb (Jaecki Schwarz), who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna (Jutta Hoffmann) and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

Patagonia narrates the journeys of two women - one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.

Branko has been a truck driver for only a few months, a choice that is quite understandable, given that he now earns three times as much as he did as a schoolteacher. But everything has a price, which is not always quantifiable in terms of money. As children we were told: “work ennobles man”. But here the opposite seems true: it is Branko, with his efficiency, his obstinacy, his good will, who ennobles a job that grows more and more alienating, absurd and enslaving.

Pan Xiao, a young lawyer, goes to a rural small village settled in the western desert lands of China to handle the case of a falcon poacher who has ran over a policeman. Pan wins the case through sophisticated reasoning and forces the poacher to give him his car as a reward. Then, he just drives back home, but the return will not be an easy one.