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_**An excellent TV adventure/drama with a great cast**_ Four businessmen (Andy Griffith, William Shatner, Robert Reed and Marjoe Gortner) who take a trip through the desert wilderness of Baja California on dirt bikes. Griffith plays Sam Farragut, an arrogant mogul who thinks money is power and anyone can be bought if the price is right; and, if they can't, well, they'll just have to be discarded one way or another. Needless to say, the trip doesn't go as pleasantly as planned. If you didn't think it was possible for Griffith to play a robust villain you need to see film. Andy just eats up the role of the dastardly Farragut. Not only is his performance a pleasure to behold, it rings true! All the other actors are perfectly cast, as are the wives and girlfriend of the three subordinate bikers, Lorraine Gary, Angie Dickinson and Janet Margolin respectively. Released to TV in 1974 as a "movie of the week, "Pray for the Wildcats" is a morality tale in the manner of "Deliverance," except that the crime is inverted and the trip takes place in the SW desert/coast rather than a wild river in Georgia. Although a television movie, it is every bit as good as "Deliverance" and perhaps even better. And, thankfully, it doesn't contain anything as hard to watch as that infamous "squeal like a pig" scene. Judging from the reviews, many will ridicule such commendations. In fact, for reasons that elude me "Pray for the Wildcats" is often mocked as "campy" and "unintentionally funny." Really? Anyone who thinks it's campy doesn't know what camp is. This is a serious drama/adventure/thriller with the requisite soap operatics, but nothing overkill and definitely within the realm of believability. Another overdone criticism is Shatner's hairpiece, which is odd since it definitely LOOKS like his natural hair (not that it is). The real reason reviewers make fun of "Pray for the Wildcats" is because (1) it's a TV movie and (2) three of the stars had well-known TV shows -- The Andy Griffith Show, Star Trek and The Brady Bunch -- and, gee, I guess there's no way they could really act and break away from their typecast roles. But they can and do superbly here. Another thing I love about this film is the powerful message: ***SPOILER ALERT*** One man sins greatly, but has zero remorse and tries to cover it up through his power and money; another man also sins, but realizes his mistake and ultimately proves his character; the other two show that they believe money and position are more important than justice and therefore prove their lack of character. ***END SPOILER*** The film was shot in Arizona and Baja California and runs 100 minutes. GRADE: A+
Diamonds are stolen only to be sold again in the international market. James Bond infiltrates a smuggling mission to find out who's guilty. The mission takes him to Las Vegas where Bond meets his archenemy Blofeld.
A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.
A deranged media mogul is staging international incidents to pit the world's superpowers against each other. Now James Bond must take on this evil mastermind in an adrenaline-charged battle to end his reign of terror and prevent global pandemonium.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
In 1962 Hong Kong, neighbors Chow Mo-wan and Su Li-zhen discover their spouses are having an affair. As they spend time together, they develop feelings for each other, but their relationship remains chaste and unspoken, reflecting societal constraints and their own moral compass.
Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.
Verony, a young dancer, accompanies her partner, Marte, a photographer, through his gender transition process.