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K-19: The Widowmaker is the Russian answer to Run Silent, Run Deep/Crimson Tide, except that it's about as Russian as Michael Apted’s Gorky Park – still, not bad company to be in at all. Like Gorky Park, which had two late greats in Will Hurt and Brian Dennehy, K-19 gravitates around two solid performers: Harrison Ford and Liam Neeson in the Clark Gable and Burt Lancaster/Gene Hackman and Denzel Washington roles from RS, RD and Crimson Tide, respectively (also like Gorky Park, there is no trace of Russian other than what can be read here and there; the fact that everyone here speaks the same language all the time, even if it’s that which would be anathema to them, allows us to suspend our disbelief and pretend they’re all speaking Russian to each other). Actually, there is a third, just as important, performance: the titular submarine emerges (and submerges) as a character in its own right; the problem is that it doesn’t do its own stunts. While it’s still in dock, it’s easy to believe in the boat’s reality and all that it entails; once it goes underwater, however, it also goes belly up. Like the Tom Hanks vehicle Greyhound from a couple of years ago, K-19 is at its best when the action stays in the vessel – and for a film where there are a lot of drills, this one is packed with tension and suspense. The ‘exterior’ shots, on the other hand, makes us long for the claustrophobia of the sub’s narrow walkways. The worst offender is the scene in which Ford orders a very dangerous maneuver (and that’s saying something, seeing how Neeson keeps “recommending” him that they remain “at safe depth”) that culminates in the K-19 bursting through the Arctic pack ice. This sequence reminded me, believe it or not, of The Silence of the Lambs; specifically, the part with the crosscutting (you know the one I mean). In that movie, parallel editing led us to believe that two separate events were closely related; in K-19, though, we have the opposite: two closely related events – the sub breaking trough the ice and the crew holding on for dear life – give the impression of occurring worlds apart from each other, because while the people come across as real human beings, the ice and the sub suffer from a pervading Saturday Morning Cartoon quality; i.e., they are shoddy as all hell. All things considered, this is nonetheless a minor yet not altogether unsuccessful incursion from director Kathryn Bigelow on the kind of usually testosterone-laden genre that even on an off day she does better than many a male filmmaker.
A rather clunky cold-war maritime thriller that manages to mix plausible science with shallow propaganda in a rather cack-handed fashion - and a (mis)casting that gives the film the same sinking feeling that the submarine must have felt when it first put to sea. It's a synch that the 2-kopeck systems aboard this state of the art Russian boat "K-19" are going to cause the maiden voyage to be riddled with dangers, and Captain Harrison Ford who blindly believes that nothing can possibly go wrong both before and after the boat sets sail leads to loads of crew resentment - not least from Executive Officer Liam Neeson - who all see him as a sort of "Captain Bligh" figure. Technically, the film does evoke a genuine sense of peril and claustrophobia, but the stars don't really have enough to work with beyond their very two-dimensional characterisations and the sight of John Shrapnel (whose son Lex also features) as a Soviet Admiral is verging on the risible. It has moments of pace, and jeopardy - but they are few and far between and more than nullified by the rather dodgy CGI and really pedestrian script.
When a train carrying atomic warheads mysteriously crashes in the former Soviet Union, a nuclear specialist discovers the accident is really part of a plot to cover up the theft of the weapons. Assigned to help her recover the missing bombs is a crack Special Forces Colonel.
The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.
Jenny is hit in the head by a soccer ball. When she comes to, the clock has turned back exactly 32 years! It is June 21, 1974, the year of the football World Cup, one day before the football match between the Federal Republic of Germany and the GDR. Jenny experiences two turbulent days at the side of her future parents - in both parts of Germany.
The docu-drama reveals, for the first time, the astonishing secret events behind the Russian submarine, Red October, that went missing on March 8, 1968, taking the Soviet Union and U.S. to the brink of war.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
A real estate agent is shot while trying to sell a rural farm and tries to bring the shooter to justice.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.