Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Into the Deep 2025 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Sebastian 2024 - Movies (Oct 2nd)
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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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Gladiator II 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
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Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
Tracker - (Feb 24th)
Outback Opal Hunters - (Feb 24th)
Suits LA - (Feb 24th)
Krapopolis - (Feb 24th)
Grimsburg - (Feb 24th)
Home Town - (Feb 24th)
90 Day Fiance - (Feb 24th)
Tournament of Champions - (Feb 24th)
Homestead Rescue - (Feb 24th)
The Great North - (Feb 24th)
The White Lotus - (Feb 24th)
The Sunday Show with Jonathan Capehart - (Feb 24th)
Countryfile - (Feb 24th)
Match of the Day 2 - (Feb 23rd)
Deadline- White House - (Feb 23rd)
Alex Witt Reports - (Feb 23rd)
Dancing on Ice - (Feb 23rd)
The Great Pottery Throw Down - (Feb 23rd)
Inside with Jen Psaki - (Feb 23rd)
Call the Midwife - (Feb 23rd)
**Knight of Craps = Shift + delete** As for me, this director is done. His last best film was 'The New World'. I don't know why someone keeps financing him. It is neither an art and message film, nor has any entertainment value. In one word, total-crap. All the above, these actors agreeing to do the roles. Definitely this director's films have received more boos at Cannes than any others. Not fit for film festivals, as well as theatrical releases. The surprise part was, I saw it. Even after I felt a similar way for his previous film. There's no story. Just a random acts. Even documentary films have a better narrative. Remember a film was being made by Willem Dafoe in the film 'Mr. Bean's Holiday', this is exactly the same film. Except there's no Mr. Bean/Atkinson here to make it a cheerful additional editing. It was like the director woke up in the morning and decided to do what he felt to shoot without a script. I dislike whispering background narration. It is like a lullaby, one might fall into sleep. Not just asleep, but a deep sleep. Direct dialogues between the characters are like an oasis in this film. If you have nothing to do and ready for a slow film, you should not consider it then too, because it is not a film, but a two hour long torture. Easily skippable film. _1.5/10_
How is it that Christian Bale always manages to get himself the parts where he just wanders around the place getting laid? He's a successful writer who feels his hollow life needs a bit of a lift. When his brother takes his own life (perhaps he'd read the script?), and with his other one in a bit of a mess of his own making, "Rick" concludes that he needs to find something more substantial in his life than drifting along finding casual sex when/where he can. What now ensues, loosely based on a Tarot suite, takes us on a tour of Los Angeles and Las Vegas as his plays out his peccadilloes with a selection of women - including Cate Blanchett and Natalie Portman. Will he find happiness? Contentment even? Who cares? I'm afraid I didn't. To be fair, Terrence Malick has spent some time on the aesthetic here - the film looks good, but if you are going to centre a film on a character like "Rick", then you have to hope that he engages with those watching. He didn't and I didn't. The story just plodded along going nowhere fast, introducing us to characters with next to no depth or charisma and though I'm usually a fan of sparing dialogue, the absence of anything meaningful really did detract from what was clearly an underlying philosophy tied into an ancient Eastern myth and meant to illustrate the risks of never settling for what you have - even if you know what you're looking for. Brian Dennehy adds very little as his father and I felt the whole thing looked like it was more of a rehearsal, or an home video, than a finessed product. I didn't hate it, it has it's moments, but I wouldn't watch it again, nor could I really recommend it either.
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
A teenaged horse guide stumbles into chaos as he tries to recover his precious phone data from the elusive 'cloud' - an internet phenomenon that is both new and confusing to him and his village.
Jack's lavish, fast-paced lifestyle changes one Christmas night when he stumbles into a grocery store holdup and disarms the gunman. The next morning he wakes up in bed lying next to Kate, his college sweetheart he left in order to pursue his career, and to the horrifying discovery that his former life no longer exists. As he stumbles through this alternate suburban universe, Jack finds himself at a crossroad where he must choose between his high-power career and the woman he loves.
In the aftermath of a car crash, a man discovers his dreams are tied to a stranger's sleepwalking.
In the streets of North Paris, in a famous ghetto place called Chapelle, Isaac sells drugs for his father Abraham. Abraham loves money in an almost religious way. Rebecca is in love with Isaac. She wants to help Isaac find a new lifestyle.
Three women of different generations living in a waning industrial town, struggle to restore meaning in their life .
The story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived.
Felix has been raised by his grandmother and has never met his father. His father Johan, doesn't even know he exists. Felix decides to become a regular in his father's bar in Amsterdam to secretly learn more about the man he has never known.
Through her child’s eyes, Patpro will go through three periods of the history of her indigenous people, in the heart of the Brazilian forest. Tirelessly persecuted, but guided by their ancestral rites, their love of nature and their fight to preserve their freedom, the Krahô never stop inventing new forms of resistance.