Mufasa The Lion King 2024 - Movies (Mar 31st)
The Killer Is Calling 2025 - Movies (Mar 31st)
Hearts Around the Table Sharis Second Act 2025 - Movies (Mar 31st)
Mickey 17 2025 - Movies (Mar 30th)
Ransom 79 2024 - Movies (Mar 30th)
Punt The Irish and The NFL 2025 - Movies (Mar 30th)
The Break-Up Club 2024 - Movies (Mar 30th)
Bright Sky 2025 - Movies (Mar 30th)
King of the Apocalypse 2025 - Movies (Mar 29th)
Art Attack The Dissection of Terrifier 3 2025 - Movies (Mar 29th)
Sound of Hope The Story of Possum Trot 2024 - Movies (Mar 29th)
Better Man 2024 - Movies (Mar 29th)
Jason Byrne - The Ironic Bionic Man 2024 - Movies (Mar 29th)
Duchess 2024 - Movies (Mar 29th)
Incandescence 2024 - Movies (Mar 29th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
The Chase Australia - (Mar 31st)
Countryfile - (Mar 31st)
A Bite to Eat with Alice - (Mar 31st)
Married at First Sight - (Mar 31st)
Australian Survivor - (Mar 31st)
Ancient Aliens - (Mar 31st)
Sunday Brunch - (Mar 31st)
WWE LFG - (Mar 31st)
Saturday Kitchen Best Bites - (Mar 31st)
Watch What Happens Live with Andy Cohen - (Mar 31st)
Married to Medicine - (Mar 31st)
Common Side Effects - (Mar 31st)
American Idol - (Mar 31st)
Tribunal Justice - (Mar 31st)
The Cook Up with Adam Liaw - (Mar 31st)
The Real Housewives of Cheshire - (Mar 31st)
Americas Funniest Home Videos - (Mar 31st)
WWE Rivals - (Mar 31st)
WWEs Greatest Moments - (Mar 31st)
The Food That Built America - (Mar 31st)
The circumstances around Terence Malick's The Thin Red Line are sometimes more talked about than the film itself. The reclusive director had made a big splash in the Seventies, but there followed two decades of silence. When he finally reappeared in 1998 to direct this adaptation of James Jones's novel about the Battle of Guadalcanal in World War II, many actors were desperate to work with him and he was able to gather a large ensemble cast. He shot over five hours of footage but had to cut it down to three, leaving out many actors entirely from the finished version. The Thin Red Line tells of the American battle against Japanese forces on the island from the landing on its beach to the time the initial troops are relieved and sail off for some new, unknown deployment. But it actually begins shortly before this when Private Witt (Jim Caviezel), who has been AWOL and living with the local Melanesian people on a nearby island, is discovered by a patrol and brought in before his sargeant. The battle itself involves the men of C Company, 1st Battalion, 27th Infantry Regiment, 25th Infantry Division: besides Caviezel as Witt, major roles are played by Sean Penn, Woody Harrelson, Adrien Brody and Ben Chaplin. Elias Koteas is Capt. Staros, who tries to look out for his men, while a hyperbolic Nick Nolte plays their commander who sees the infantry as nothing but cannon fodder to wrecklessly throw at the Japanese. For most of its 3-hour length, the men are torn apart by Japanese machine gun fire as they try to take a hill, but the enemy is never directly seen. Between scenes of great violence, there are portentous voiceovers by various characters as they meditate on what war says about the larger human drama. Eventually US forces are able to overcome Japanese positions, and the Japanese side of the offensive is depicted with more fairness and equanimity than in most American films on the Pacific Theatre of the war. While the realistic depiction of battle might touch viewers -- and its hard to knock any World War II film since they spur one to read more about this crucial event in history, this is not a great film. It has obviously been cut heavily from its original length. John C. Reilly appears several times at the centre of shots, clearly meant to be a major character, but most of his scenes and all of his back story were cut. The philosophic voiceovers come across as pretentious instead of insightful. Furthermore, I find this a very "Hollywood" film, with the acting often exaggerated. Woody Harrelson doesn't play a WWII grunt, he plays Woody Harrelson. George Clooney appears at the end and all realism goes out the window: there's no way this suave, handsome leading man has been fighting a war for some time now. Hans Zimmer's musical score too obviously pulls the audience towards prescribed emotions.
As war movies go, this one sucks. I'm pretty sure (although I didn't read it, that the novel (and maybe original screenplay) must have been fantastic, but Terrence Malick really bungled this: no clear vision, no character investment, a ridiculous amount of stupid jump cuts. I was willing to quit 40% into the film but my wife wanted to see the rest (as almost kind of a challenge to see if she could spot another of the many famous that wanted to work with him (and probably regretted it later).
Yeah, this is pretentious. And what makes it worse is that in all of it's art house pomp, it doesn't come across so much as anti-war as it does anti- stopping the Japanese and Germans from their genocidal bid for world domination. It was like they were saying that they are devoutly on the left... so much so that they support the axis powers if only because the alternative is the United States and Democracy and that is somehow more... fascist(?). I don't know, the film suffers from schizophrenia and the message gets lost when you realize that it's a World War II story and not a Vietnam story and that it is kind of taking the wrong side of WWII in it's effort to call America a fascist nation. But, you get pointless meandering diatribes and A-list actors in a horrible movie. The good news is that it looks pretty... but I don't think the final product is what the writer of this and From Here to Eternity had in mind.
This is a captivating and stunningly photographed depiction of the horrors of jungle warfare. Jim Caviezel is "Witt" - apprehended from some unofficial leave by his Sergeant "Welsh" (Sean Penn) and is interned aboard a troop ship pending court-martial. All of that due process is soon abandoned as their squad is assigned to take an important hill position from an entrenched Japanese force on Guadalcanal. It is a very untypical film, this - whilst there is certainly plenty of action, pyrotechnics, bullets (and limbs) flying all round, this is a much more cerebral look at the impact of war. The claustrophobia - even in the open air - of people who neither lived nor slept in peace or safety for weeks on end; their weariness and exhaustion, their dedication, bravery and - it has to be said, moments of fear and doubt is presented to us using some strong and potent characterisations. Even the moments of victory are tempered with sorrow and reality - the opposing forces are humanised to an extent that makes this whole thought-provoking story more poignant. Penn is good, as is their overbearing CO "Col. Tail" (Nick Nolte) and a strong ensemble cast of faces - famous and less so - sustain this well for much of the almost three hours it is on screen. What struck me most about the settings were just how inherently hostile they were to human beings at the best of times, and yet there we were fighting over them - palm tress and beautifully coloured birds!
Terrence Mallick is just making movies, and probably my favorite director among all, and he is responsible for the direction and screenplay. One characteristic of Mallicks movie is the dream-like essence on his way to approach the direction and cinematography and here were are not far from this: many of the acne narrations are like phrases resonating inside the (many) characters minds, and the paradisiac movie beginning sequence with a soldier AWOL into a melanesian tribe, played by Jim Caviezel (Pvt. Robert E. Lee Witt) in a scene that correlates with one of the final scenes of the movie. With a Budget of $52 million and Box office of $98.1 million, it has been nominated for 8 Academy Awards, winning none. One factor maybe is the bad decision of the year for the release: the same year that “Saving Private Ryan” by Steven Spielberg was going on the big screen (it had 11 nominations and 5 wins). An incredible assemble of actors, many in minor roles, the movie doesn’t have only one protagonist, although it revolves by the character based on the author of the books played by Adrien Brody (as Cpl. Geoffrey Fife). The cinematography by John Toll (Braveheart, Vanilla Sky, The Last Samurai, Cloud Atlas) is just suburb it is a beautiful yet haunting movie to see, the way it focused on the wildlife and vegetation while carnage rolls on the background - it was shoot 100 days in Australia Daintree Rainforest and Bramston Beach, 24 days in Solomon Islands and 3 in US. The edition work is by Billy Weber, Leslie Jones, Saar Klein (team that had previous works with Mallicks and knows of his habit of lining up the right movie in the edition room). The music is by Hans Zimmer (Lion King, Dune, Gladiator). The use of the Malaysian chorus in some scenes is just awesome. Story-wise it is the soulful version of the 1962 book “The Thin Red Line” by James Jones (already made into a movie in 1964) , based on his real experiences in the Battle of Guadalcanal in WWII, when he was around 20yo. I watched the 2:50h version and then the Criterion restored version, the one that has the 18 min of cut out scenes that didn't make it on the final theatrical cut version, with some actors parts completely out. I wish someday those scenes could be seen in any way. The story tells about the men of C Company, 1st Battalion, 27th Infantry Regiment, 25th Infantry Division, who have been brought to the island of Guadalcanal as reinforcements in the campaign to secure Henderson Field, seize the island from the Japanese, and block off their route to Australia. As they wait in the hold of a Navy transport ship, they contemplate their lives and the upcoming invasion. This may be one of the few times I disagree with Roger Ebert's vision of a dissociative movie between what the director wants and what the actor plays. I totally understand the version for a realistic action / drama movie but understand what the director made - on how many such dramatic moments in our lives snes pass like a dream or flow of thoughts? But on one aspect I agree the phrases are totally disconnected from what the characters are, too educated and less worldly. Still with this defect I can say that I enjoyed the movie a lot, but it isn’t just for everyone. One of the few movies that I gave a 9.6 score out of 10.0 / A+.
A nature photographer and his guide meet a corrupt emir with a dirty secret. Only jungle-dwelling Bomba knows the truth.
In British colonial India, Lt. Dick Ramsay is charged with secretly rescuing the kidnapped daughter of the British viceroy of India and her fiancée, a fellow British officer from a cult of murderers who worship a white elephant. While on his mission he meets Princess Dhara and her man servant and protector, Parvati Sandok. Princess Dhara's brother has also been taken captive by the Cult of the White Elephant. Princess Dhara and Parvati Sandok aid Lt. Ramsay in his mission to free the captives and put an end to the cult's reign of terror.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.
Daniela – a single mother, whose boyfriend left for the US – believes wholeheartedly in Cuba's revolutionary new order. Meanwhile, in Florida, a plot is afoot. Under the command of an American officer, four Cubans ex-patriots and a Guatemalan land on the Cuban coast to prepare a US invasion of the island. Daniela's superior, the corrupt Cuban officer Palomino, is secretly helping the invaders and the young woman becomes entangled in the intrigue.
Two 17-year-olds, Werner Holt and Gilbert Wolzow, are pulled out of school and into Hitler's army. Gilbert becomes a fanatical soldier; but at the front, Werner begins to understand the senselessness of war.
Wounded in Africa during World War II, Nazi Col. Claus von Stauffenberg returns to his native Germany and joins the Resistance in a daring plan to create a shadow government and assassinate Adolf Hitler. When events unfold so that he becomes a central player, he finds himself tasked with both leading the coup and personally killing the Führer.
A boy's life is turned upside down when he learns that he is the last of a group of immortal warriors who have dedicated their lives to fighting the forces of the dark.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
A love story about chance meetings, instant attractions, and casual betrayals. Four strangers - with one thing in common: each other.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out after curfew. While waiting for the German Kommondant, Jakob overhears a German radio broadcast about Russian troop movements. Returned to the ghetto, the shopkeeper shares his information with a friend and then rumors fly that there is a secret radio within the ghetto.