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"BAT*21" is above all an exceptionally well made and very worthwhile film based upon a remarkable true story. The action sequences have been brought to the screen with the deliberate intention of not glamourising the necessary depiction of violence (to do otherwise would have been a lethal miscalculation). This film is also able to depict Hambleton's rescue as being a far from easy proposition and you constantly find yourself wondering if the mission will have a successful resolution at all, especially in light of the fact Hambleton is about to find himself caught in an area which is going to be blanket bombed by the Strategic Air Command.
The series follows Kou Ootori, an ordinary high school student who experiences a recurring nightmare of being eaten alive by a beast from within. However, when he meets Reiichi Kuki, an upperclassman who controls the school, the curtain of fate unravels.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her office, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs".
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.
A disk jockey goes to Vietnam to work for the Armed Forces Radio Service. While he becomes popular among the troops, his superiors disapprove of his humour.