初めて会ったおじさんと野外でザーメン遊びする小悪魔ちゃん 露出射精管理

From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.

Adolf Hitler is hiding out in California under the identity of Adolf Schwartz; however, he is soon murdered by a mysterious assailant. This coincides with the arrival of a mysterious woman in a nearby town. Whatever the case might be, nobody seems interested in investigating the crime, but there are many who are interested in her.

At his bachelor party, Jason has a one-night fling with Nikki, a radiant beauty with whom he forms an immediate bond. They agree to keep their secret locked away forever. Two years later, Jason, his wife, Andy and his fiancee plan a reunion weekend. Jason is shocked to discover that Andy's fiancee is Nikki. Now, secret and passionate affairs are played out.

When Danielle decides to do a story on the life of a sex worker to please her boss and lover Peter, she meets Gage a professional gigolo. She quickly becomes interested in his work and starts to see a change in herself and her life.

Frank and Lindsay—two emotionally-broken strangers—meet on the way to a destination wedding. Over the course of the weekend and against all odds, they find themselves drawn together even though they are initially repulsed by one another.

The mysterious jungles of Thailand are home to some of the rarest wild cats on earth - the Clouded Leopard, The Asian Leopard, The Indian Fishing Cat and the Indo Chinese Tiger. In one of the last truly wild corners of the world this extraordinary collection of secretive predators defend their last remaining stronghold. As their territories intertwine and continuously shift, these cats must cheat death on a daily basis if they are to survive and thrive out in these tangled lands

In April 1939, "Grapes of Wrath" entered the pantheon of literature with a bang. Americans are at loggerheads over the odyssey of the Joad family, tenant farmers from Oklahoma who, like thousands of others, were driven from their land during the Great Depression. Eighty years have passed since the famous work was published, and 90 years since the beginning of the Great Depression in 1929. To mark this occasion, the documentary examines the genesis of the novel, its themes, its renewed reception during the financial crisis of 2008.

French writer Jean-Claude Carrière traces the life and work of Spanish painter Francisco de Goya (1746-1828).

Al Goldstein, the controversial adult magazine publisher, is up against the odds as he takes on the D.A., the press and an even larger nightmare: irrelevancy all in a little courthouse in Brooklyn.

Love and desire fill the minds of villagers in a Hungarian speaking village in Transylvania, Romania, even in their old age. Time has stood still here, and although most of the village’s inhabitants are elderly, they are refreshingly young at heart.

Khalo Matabane spent two years making the film, interviewing those who knew and loved Mandela, and also those who criticised him. Global thinkers, politicians and artists including the Dalai Lama, Henry Kissinger and Ariel Dorfman talk about the effect of his policies and his decision making. Their thoughts are weighed equally with ordinary South Africans like Charity Kondile, who refuses to forgive her son's apartheid operative murderer. Through these interviews, completed in the last months of Mandela's life, Matabane interrogates for himself the meaning of freedom, reconciliation and forgiveness. By doing so he challenges Mandela's enduring impact in today's world of conflict and inequality. Thought-provoking and reflective, Mandela, the Myth and Me is a moving film which frames Mandela from a fresh, deeply personal perspective. (Storyville)