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Countryfile - (May 25th)
Krempoli - A Place For Wild Children - (May 25th)
Love Your Weekend with Alan Titchmarsh - (May 25th)
Earth Odyssey with Dylan Dreyer - (May 25th)
Lucky - (May 25th)
MotoGP Unlimited - (May 25th)
Heavenly Ever After - (May 25th)
Ninjago- Masters of Spinjitzu - (May 25th)
Bondi Vet- Coast to Coast - (May 25th)
I Kissed a Boy - (May 25th)
Super Team Canada - (May 25th)
Travel Guides - (May 25th)
Grand Designs New Zealand - (May 25th)
The 1 Club - (May 25th)
The Real Murders of Atlanta - (May 25th)
Walking with Dinosaurs - (May 25th)
New York Homicide - (May 25th)
Screwballs - (May 25th)
On Patrol- Live - (May 25th)
Death Valley - (May 25th)
**An exceptionally well-made film about an ordinary boy experiencing things common to almost all boys his age.** I don't have much experience with Swedish cinema, but what I saw already showed me that it is quality cinema, so it was with some curiosity that I sat down for another film. It centers on a boy, Ingemar, who lives with his brother and mother, who is very sick and unable to control their restlessness. When she dies, the two brothers are separated and Ingemar goes to live with his uncles, who have no children but seem genuinely interested in providing him with a good education. So, it's just another film about growing up, maturing, adolescence, discovering the body and feelings. We've seen a lot of similar things, there's no denying it. Therefore, the film may not be the most interesting for those who do not like this more intimate genre of cinema. Directed by Lasse Hallstrom, the film bets on minimalism, naturalness and realism: there is nothing flashy or far-fetched, the sets, costumes, environments and situations taking place are credible, recognizable. The cinematography is very good, it makes clever use of light and framing and the soundtrack is atmospheric, if not exactly memorable. The actors, on the other hand, are quite convincing, and the fact that I don't know them (I'm not an expert on Swedish cinema, I repeat) helps to make their effort even more credible. The biggest problem with this film, therefore, turns out to be its excess of normality and an excessive normalization of things. I don't know how many people are open to seeing a film about the life of an ordinary boy doing ordinary things and experiencing things that all of us, in one way or another, experienced, without anything extraordinary to justify it. It's a minor problem, but it turns out to be the film's biggest problem, and perhaps the reason why it didn't win more audiences (besides the language barrier, because in many places subtitled cinema is not the first choice of viewers).
A woman meets an enigmatic stranger on a European trip. Their instant attraction faces challenges from life, duty and secrets that change her life forever.
Returning from a cricket match in Ireland, Peter Weston gains a pet alligator from another passenger who abandons it with him. He is horrified and while his first instinct is to get rid of it he develops a relationship with a young Irishwoman who appears to be entwined with the reptile. He soon discovers that Daisy is tame and seems to be the way to Moira's heart.
If you knew you didn't have long to live, who would you tell? What would you say? And how would you deliver the message? The story starts with Reito Naoi, a man in his early 20s, being unjustly fired from his job. Enraged and fuelled by feelings of revenge, he tries to steal a valuable device from his workplace, but things don't go to plan, and he ends up arrested. In jail, Reito is paid an unexpected visit by a lawyer who offers to arrange for his release, if he complies with the wishes of the lawyer's client. Seeing no alternative, Reito accepts and soon discovers that the lawyer's client is his aunt. When Reito tells her that he has no plans for the future, she gives him an order: 'What I want you to do is to guard a camphor tree.' And thus begins Reito's custodianship of a camphor tree standing on the grounds of a shine - a camphor tree with a mysterious legend associated with it...
Can a dog still be man’s best friend if that man is the Führer? Blondi explores the bizarre bond between Hitler and his beloved German Shepherd. From eating the crumbs under the table at the Führer’s birthday, to living in the confinement of the bunker, this film presents intimate glimpses of the dog’s daily life intertwined with the realities of war, depicting the oblivious pet's surreal impact on the Reich.
After a boxer relocates from New York to Hawai'i, a friendship with his coach expands his awareness of ancestral connection, purpose, and power. Created on the island of O'ahu Hawai'i.
Brussels, Belgium, 1959. Michel and Charly Kichka, two Jewish brothers, enjoy a happy childhood with their parents and their two sisters. Henri, their discreet and usually silent father, does not speak at all about his past, so they imagine that as a young man he was an adventurer, a pirate or a treasure hunter.
A struggling athlete gets a one-time chance to regain his self-respect in the underground boxing scene, attempting to fight an arrogant opponent before a terrible accident changes everything.
Valencia, Spain, in the early 1950s. Salvador and María, two unfortunate people, meet by chance when she takes shelter from the rain at the Oriente Cinema, where he works as a manager.
A young boy betrays his family who hides a refugee and tells the pursuer where the hiding-place is - just because he wants a valuable telescope for reward. His father decides to kill the boy in order to restore the honor of the family.