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Paying homage to a country’s great leader is certainly a worthy and noble undertaking, but, when it comes to director Guy Nattiv’s would-be tribute to Israeli Prime Minister Golda Meir (Helen Mirren), the film comes up far short of what it could have been. The film focuses on Meir’s handling of the 1973 Yom Kippur War, when the nation was on the brink of collapse from “surprise” (though strongly anticipated) attacks by Egypt and Syria, largely as retribution for their territorial losses in the 1967 Six-Day War, with significant support from the Soviet Union. The picture presents a detailed by-the-numbers account of the conflict, including Meir’s involvement with her top military advisors and with US Secretary of State Henry Kissinger (Liev Schreiber). Granted, it’s important to understand this background to provide context for the stage on which this drama plays out. However, for a release called “Golda,” one would think that its focus would be on the title character, as a biographical sketch that just happens to be set during wartime. Instead, because of this, Meir is almost reduced to a supporting player in a much wider cast of characters playing out the specifics of the conflict (at least in the first half). There’s virtually no back story about the PM as an individual, providing little insight into who she is and how that impacts her approach to handling the combat. To its credit, the film improves in the second half, especially when it starts presenting Meir’s story from a somewhat more personal perspective. By that point, however, the filmmaker has already lost his audience for what this offering could and should have been. Viewers come away from this one knowing little more about the woman who was a national hero in a time of crisis than what they would likely find in history books and documentary films. In fairness, Mirren and Schreiber deliver fine performances, disappearing into their respective roles and making this production look better than it actually is. But that’s not saying much given what seems to be the genuinely sincere intent that was behind this release. Unlike Meir, this film simply doesn’t rise to the challenge, and that’s unfortunate considering who it is ultimately trying to honor. And, because of that, it should come as no surprise why this offering has ended up in the late summer stash of cinematic also-rans.
I suppose this might have been a little bit more interesting if I had known more about the 'Yom Kippur" war that threatened the still quite fledgling state of Israel. With Egypt and Syria massing huge numbers of troops and tanks on the borders, it falls to the Israeli prime minister Golda Meir (Dame Helen Mirren) to galvanise her hugely outnumbered population and to work with her legendary defence minster Moshe Dayan (Rami Heuberger) to stave off this overwhelming force long enough for her to convince American Secretary of State Henry Kissinger (an almost unrecognisable Liev Schreiber) and his boss Richard Nixon to brave the threats from the Soviets and the Saudis and come to her aid. What's annoying about this film is the astonishing lack of substance to the thing. Much effort has gone into Dame Helen's prosthetics, however much of the rest it seems to repetitively follow her walking about from place to place - with her famous white shoes - whilst lighting and smoking a cigarette. We know she is ill, and we also see from her frequent visits for treatment that the adjacent mortuary is testifying to the increasing horror of this invasion. However there's virtually no detail as to who she is/was, how she got the job, how her intelligence was attained, how her skilful combination of diplomacy and courage all helped to save her nation from annihilation. It's all just presented in a second-rate documentary style that was as unconvincing as it was shallow and episodic. Sure, it illustrates well the perils of war - but, to be honest, it could be any war where one nation was up against a larger, more powerful, one. To do justice to this story and this woman, it needed greater focus and much more detail. This is nobody's finest work here, sorry.
During the 1972 elections, two reporters' investigation sheds light on the controversial Watergate scandal that compels President Nixon to resign from his post.
The story of British officer T.E. Lawrence's mission to aid the Arab tribes in their revolt against the Ottoman Empire during the First World War. Lawrence becomes a flamboyant, messianic figure in the cause of Arab unity but his psychological instability threatens to undermine his achievements.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII.
As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.
Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster. This film recreates the tensions that were felt not only by the three astronauts, Armstrong, Aldrin and Collins, but also by their families and by the teams of technicians training to deal with anything that could go wrong.
A true story about Johann Georg Elser, a quiet carpenter who tried to assassinate Hitler with an explosive device in 1939.
John McVicar was a London Bad Boy. he graduated to armed bank robbery and was Britain's "Public Enemy No. 1". He was captured and put into a high security prison. Will even the highest security prison be able to hold him? This is the true story of his life, his criminal exploits and his eventual rehabilitation.
Norfolk, England, 1999. During three days, farmer Tony Martin is questioned by police following the violent death of Fred Barras, a teenage burglar who broke into his property, Bleak House, in Emneth Hungate, along with other intruder, Brendon Fearon, on the evening of August 20th of that year.