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Unequivocally, unmistakably, undeniably Disney's greatest animated film. A masterpiece, as far as I'm concerned. Long read ahead! Film and reviews are all about opinions, which is only a positive thing. I, for one, though have yet to find a better animation than this. No doubt I'm probably partly clouded by nostalgia, but even a tonne of years later I still remember how blown away I was when I first watched it. Nothing's changed. Where to start? I love every single detail about this film, for which there are many. Not only does it improve upon the studio's earlier 1950 production about Robert Louis Stevenson's 1883 novel, but it manages to create an incredibly touching, amusing and rather thrilling story for all. They don't rely on the usual, overdone Disney front and center romance to do it either. It's a story of a young kid coming-of-age into the world. You really go on a journey with Jim Hawkins, who hadn't had the most happiest childhood. We see him grow into a man across just 95 short minutes. Joseph Gordon-Levitt brings Jim to life superbly, no surprise to see he has done other great things in his career. Gordon-Levitt isn't the only outstanding performer here, with Brian Murray and Emma Thompson showing their talents in the roles of John Silver and Capt. Amelia. I adore the dynamic between Silver and Hawkins, Murray is truly brilliant. Thompson is great in her role, also. Even below those aforementioned names, you have memorable characters in Delbert (David Hyde Pierce), B.E.N. (Martin Short) and Mr. Arrow (Roscoe Lee Browne). Morph (Dane Davis) is a cracking little sidekick, too. Away from the cast, you also have the sensational animation. They mix hand-drawn 2D and computer generated 3D, which comes out exquisitely. Sure some of it hasn't aged impeccably compared to now, but it all to this day still looks utterly stunning. I love the attention to detail. That's not all. How about that music? I couldn't tell you the amount of times I've listened to that soundtrack down the years, it's so beautifully crafted by James Newton Howard and John Rzeznik; the latter's, as part of the Goo Goo Dolls, "I'm Still Here" fits so, so well. Can you tell how much fondness I hold for this? It's fantastic! Did Disney mishandle it? Sure. Does it deserves more respect? Definitely. However, I'm kinda glad they just let Ron Clements and John Musker do their thing. Heavy Disney interference could've ruined it. The fact this has zero pointless sequels is marvellous, even if it's for the wrong reasons. There are minor rumours they plan to live-action this. Normally I'd argue against classics being remade, but I think this 2002 production is in a win-win position in that regard. If it's a big success it'll be good for it, if it's terrible then it'll put more eyes on the original. It's kinda funny, I don't see myself as a Disney fan and yet my two favourites films (this + 'Pirates of the Caribbean: The Curse of the Black Pearl') are from this studio - and both pirate-y, interestingly. Hmm. Go watch 'Treasure Planet'!
Loosely based on one of my favourite stories, this version of Robert Louis Stevenson's "Treasure Island" sees the young Jim Hawkins on a magical adventure on a space galleon. Befriended by the cyborg cook "Silver" they face all sorts of perils on their journey before arriving at the "Treasure Planet" whereupon the young lad realises that his pal isn't quite so trustworthy. It's a great adventure story, the voice talents are fun making their mischievous characters engaging to watch - and the animation, though maybe not quite as vivid and detailed as I would have liked, still keeps the narrative alive and thriving. Still not a patch on the superb Robert Newton version (1950) but still a very entertaining watch.
The Sultan awaits the arrival of his son, Prince Omar, who has brought up in a distant land. The master tailor and his assistances are making clothes for the prince. Labakan, the most gifted of his assistances, craves to be a Sovereign's heir so he steals the princely garments snd poses as the Sultan's son.
In the absence of their parents, the Malinowski kids are robbed. Instead of going to the police though they decide to regain the stolen money themselves.
The gang goes on a trip to check on Velma's younger sister, Madelyn. She's been studying stage magic at the Whirlen Merlin Magic Academy, where apparently there have been sightings of a giant griffin. The gang decides to investigate.
A scientist realizes his dead wife is an organization of mitochondria bent on making a new species that will wipe out humanity.
While hiding from bullies in his school's attic, a young boy discovers the extraordinary land of Fantasia, through a magical book called The Neverending Story. The book tells the tale of Atreyu, a young warrior who, with the help of a luck dragon named Falkor, must save Fantasia from the destruction of The Nothing.
Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
Global panic ensues when it is revealed that a mysterious UFO is actually a giant turkey-like bird that flies at supersonic speed and has no regard for life or architecture.
Ami's friend, Yoshie, was murdered and desecrated by the Kimura Gang. She was saved and, like Ami in the previous film, received modifications from the same mechanics. Remembering her past, Yoshie decides to avenge herself and Ami.
Orbiting a quiet backwater planet, the massed forces of the universe's deadliest species gather, drawn to a mysterious message that echoes out to the stars. And amongst them, the Doctor. Rescuing Clara from a family Christmas dinner, the Time Lord and his best friend must learn what this enigmatic signal means for his own fate and that of the universe.
Ean has a critical mission to return to the future to save everyone. However, she becomes trapped in the distant past while trying to prevent the escape of alien prisoners who are locked up in the bodies of humans. Meanwhile, Muruk, who helps Ean escape various predicaments, is unnerved when he begins sensing the presence of a strange being in his body. Traveling through the centuries, they are trying to prevent the explosion of the haava.