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Court Cam - (Oct 31st)
Roller Jam - (Oct 31st)
American Pickers - (Oct 31st)
Grotesquerie - (Oct 31st)
All Elite Wrestling- Dynamite - (Oct 31st)
Salvage Hunters - (Oct 31st)
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Raw Talk - (Oct 31st)
Tyler Perrys Sistas - (Oct 31st)
The Golden Bachelorette - (Oct 31st)
NOVA - (Oct 31st)
Secrets of the Dead - (Oct 31st)
Nature - (Oct 31st)
The Real Housewives of Salt Lake City - (Oct 31st)
The Last Word with Lawrence ODonnell - (Oct 31st)
Expert Witness - (Oct 31st)
Location, location, location - (Oct 31st)
Never Mind the Buzzcocks - (Oct 31st)
Alex Wagner Tonight - (Oct 31st)
Lost Monster Files - (Oct 31st)
Native Americans, ranchers, government officials, and environmental activists battle over the yearly slaughter of America's last wild bison, based on fear that migrating animals will transmit the disease brucellosis to cattle. Join a 500-mile spiritual march across Montana led by Lakota elder Rosalie Little Thunder expressing her people's cultural connection to bison, an environmental group engaging in civil disobedience and video activism, and a ranching family caught in the crossfire.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
This beautiful short film captures the quiet dignity of a day in the life of a Northern trapper, without use of any dialogue.
Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
The environmental measures taken by the oil industry at the Sullom Voe terminal in the Shetlands.
The film discusses the various uses of land for producing food, clothing, and shelter. It explains how different types of land are cultivated for growing crops, raising livestock, and sourcing raw materials for clothing like cotton, wool, and leather. The film also covers the extraction of resources for building materials, such as lumber, clay, stone, and iron ore. Additionally, it touches on the production of plastics and synthetic materials from minerals. The film emphasizes the importance of making wise decisions in land use, balancing agricultural, industrial, and recreational needs, and the necessity of conserving land for its natural beauty and environmental value.
In less than 150 years, 97.3% of British Columbia's old growth forests have been logged. These ancient trees and their ecosystems have been lost forever. Fairy Creek (Ada'itsx), one of BC's last untouched old growth watersheds, lies on Southern Vancouver Island on the unceded territories of the Pacheedaht, Ditidaht and the Huu-ay-aht Nations. Despite Premier John Horgan's 2020 election promise to protect the remaining 2.7% of old growth forest, logging of Fairy Creek continues unabated. In August 2020, forest and land defenders began setting up blockades to prevent the destruction of this beautiful and fragile ecosystem. One year later, after mass civil action, over 500 arrests and intense public pressure, the conflict continues. This comprehensive and compelling documentary film sheds light on the issues around the logging and blockades, through conversations with Indigenous Elders, politicians, police, lawyers, front line activists, and many others.
For more than 100 years, thousands of Indigenous children died while in Canada’s residential school system. Pacheedaht Elder Bill Jones survived, but he, like many others, experienced years of beatings and sexual abuse. The scandal has finally brought the Indigenous rights struggle into focus, none more so than at Fairy Creek, an area of forest on First Nations land that protesters are desperately trying to prevent from falling into the hands of logging companies.
It starts with a live radio broadcast from the Bikini Atoll a few days before it is annihilated by a nuclear test. Shows great footage from these times and tells the story of the US Navy Sailors who were exposed to radioactive fallout. One interviewed sailor suffered grotesquely swollen limbs and he is shown being interviewed with enormous left arm and hand.
“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.