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**It would be an excellent sequel, every bit as good as the original, if logic issues and plot holes didn't get in the way too much.** If I can say that I really enjoyed the first film in this trilogy, I can't say the same for any of the sequels. The first film, even with all the flaws, was quite good and was so enjoyable that it became a milestone for many people's childhood and adolescence. This one, in addition to not bringing anything really new, has more flaws and problems than its predecessor. The film's biggest problem turns out to be the script: the action takes place some time after the events of the first film, but we continue to see Willy, the released orca, playing a heroic role in saving several other animals after an oil spill resulting from an accident with a tanker that passed too close to the shore. Of course, as it is predictable in a film like this, there is life danger to the orcas, but in the end, everything goes well. The script really ends up depending on each person's ability to turn off their brain and watch the film without asking questions. On the one hand, we are dealing with an orca whose release was amateurish, unforeseen and unprepared, as we saw in the opening film. In addition to this being something that goes against all the basic norms of those who deal with these animals, it increases the chances that a wild animal simply does not want its freedom, preferring the human contact it is already used to. It would help to understand how Jesse and Willy's relationship continues to be strong and important in this film, and the film that would follow. However, believing that the orca could hear Jesse's harmonica, even if it were far away, is as foolish as believing in Santa Claus, and is simply forgetting that these animals travel thousands of miles, and that the orca is one of the few marine mammals that can be seen in any sea in the world. Willy would never hear the sound of his friend's harmonica if he was that far away. And although the film touches on an important ecological and environmental point – the damage caused by oil spills – the way it does so is far from realistic. Oil spills are a serious matter, they mobilize a lot of technicians and there are specific ways to contain and clean them up, as well as to save the affected marine life. A bunch of amateurs just couldn't do much. In addition to the logic problems and holes in the script, the film has some very underwritten characters, although some of the heavy clichés of the initial film have been polished. And it is still pleasant to see the most important faces of the initial film return: Jason James Ritcher continues to work well as Jesse and is well supported by Michael Madson and August Schellenberg, who also return to the characters they already know. Francis Capra is doing very well, and Mary Kate Schellhart does what she can with the material she's been given. Technically, the film continues to bet heavily on good cinematography and the choice of beautiful filming locations. As with its predecessor, it's a film that doesn't look the age it already is, and if we saw it without knowing when it was released, we wouldn't give it more than ten years. Good sound effects, good special effects, a realistic and effective animatronic whale, are some of the values that this film presents to us and that deserve a positive note. The soundtrack is pleasant, skillfully recycling material from the early film.
When maladjusted orphan Jesse vandalizes a theme park, he is placed with foster parents and must work at the park to make amends. There he meets Willy, a young Orca whale who has been separated from his family. Sensing kinship, they form a bond and, with the help of kindly whale trainer Rae Lindley, develop a routine of tricks. However, greedy park owner Dial soon catches wind of the duo and makes plans to profit from them.
A young girl of about 10 years lives in a solitary peasant's house on the edge of the jurassic mountains in the East of France. One day in autumn, when she is on her way to school through the forest, she observes a hunting fox. Of course, the fox flees from her, but the girl feels a strong desire to meet the fox again.
Dramatic retelling of the fateful last voyage of the Nantucket whaleship Essex. When the Essex is attacked and sunk by a sperm whale in November 1820, her crew take to three fragile whalers. Alone in the middle of the Pacific Ocean, the men must decide whether to head for the nearest islands - a thousand miles downwind to the west - or set out on an epic journey of almost three thousand miles to reach the South American mainland. Fear of cannibals forces them to choose South America. Almost three months later, the first whaler is rescued by another whaleship. Only three men are still alive. A week later the captain's whaler is also rescued, with just two men aboard. The third whaler is never found. This is a story of human endurance and what men in extremis will do to survive.
The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.
Summoned from an ashram in Tibet, Ace finds himself on a perilous journey into the jungles of Africa to find Shikaka, the missing sacred animal of the friendly Wachati tribe. He must accomplish this before the wedding of the Wachati's Princess to the prince of the warrior Wachootoos. If Ace fails, the result will be a vicious tribal war.
He's Ace Ventura: Pet Detective. Jim Carrey is on the case to find the Miami Dolphins' missing mascot and quarterback Dan Marino. He goes eyeball to eyeball with a man-eating shark, stakes out the Miami Dolphins and woos and wows the ladies. Whether he's undercover, under fire or underwater, he always gets his man… or beast!
Hard times come for the Carraclough family and they are forced to sell their dog, Lassie, to the rich Duke of Rudling. Lassie, however, is unwilling to remain apart from young Carraclough son Joe and sets out on a long and dangerous journey to rejoin him.
In 1841, young Ishmael signs up for service aboard the Pequod, a whaler sailing out of New Bedford. The ship is under the command of Captain Ahab, a strict disciplinarian who exhorts his men to find Moby Dick, the great white whale. Ahab lost his his leg to that creature and is desperate for revenge. As the crew soon learns, he will stop at nothing to gain satisfaction.
Kenai finds his childhood human friend Nita and the two embark on a journey to burn the amulet he gave to her before he was a bear, much to Koda's dismay.
Rexxx, Hollywood's top canine star, gets lost and is adopted into a shabby firehouse. He teams up with a young kid to get the station back on its feet.
When a huge alien probe enters the galaxy and begins to vaporize earths oceans, Kirk and his crew must travel back in time in order to bring back whales and save the planet.
