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Everyone knows how Romeo and Juliet ends, but after this version of the story, there really is no way of knowing how it will begin. The narration starts with the famous “Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean.” But then, totally out of the blue, the narrator adds: “And so the prince has called a tournament [as in jousting] to keep the battle out of the city streets.” If you're thinking that there's no jousting in Romeo and Juliet, you're absolutely right. The oddest thing of all, however, is that there is no jousting in this movie either. We see knights in armor, holding lances and riding horses, but director Carlo Carlei and screenwriter Julian Fellowes curiously forget about this novelty almost as soon as they introduce it. Do Romeo and Tybalt decide Juliet’s fate like Wilfred of Ivanhoe and Brian de Bois-Guilbert do that of the Jewish Rebecca? Not at all; as I hinted above, the ending of the story remains largely unchanged (with Shakespeare, of course, there's always the possibility of enjoying the performances, even if the song, so to speak, remains the same; unfortunately, that's not the case here – Douglas Booth and Hailee Stanfield are no Leo DiCaprio and Claire Danes, let alone Leonard Whiting and Olivia Hussey). I guess I can understand the need to mix things up a bit to avoid the inescapable feeling of déjà vu inherent to the world's most popular love story, but Carlei and Fellowes don’t even have the discipline to stick to this ill-advised addition, which only succeeds in making Prince Escalus of Verona (Stellan Skarsgård) look like an idiot, since his “tournament” not only can’t stop the Capulets and Montagues from brawling on the streets, but it shouldn’t even try to, considering that these public brawls are central to the action. Among the few things Carlei does get right is preserving the traditional Renaissance Verona setting; on the other hand, he makes Romeo an amateur sculptor for no reason other than making the most impressionable female spectators swoon at the sight of his bare, sweaty chest, which he likes to uncover when chiseling marble.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
Daniel moves to Los Angeles with his mother, Lucille, and soon strikes up a relationship with Ali. He quickly finds himself the target of bullying by a group of high school students, led by Ali's ex-boyfriend Johnny, who study karate at the Cobra Kai dojo under ruthless sensei, John Kreese. Fortunately, Daniel befriends Mr. Miyagi, an unassuming repairman who just happens to be a martial arts master himself. Miyagi takes Daniel under his wing, training him in a more compassionate form of karate for self-defense and later, preparing him to compete against the brutal Cobra Kai.
Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love - and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.
A searing commentary on the "win at all costs" mentality of American high school sports. David Lee Birdsong is the smalltown quarterback hoping to escape with a college scholarship and a pro career. David's father is the overbearing taskmaster vicariously living through his son. The third side of the triangle is Coach Marshall, a hypercritical and cruel man who sees David as the key to his future success. David's lockstep commitment to his father and coach is altered when he witnesses a teammate die after a grueling practice.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
Rodeo cowboy Jack and ranch hand Ennis are hired as sheepherders in 1963 Wyoming. One night on Brokeback Mountain, they spark a physical relationship. Though Ennis marries his longtime sweetheart and Jack marries a fellow rodeo rider, they keep up their tortured, sporadic love affair for 20 years.