The Skin of Our Teeth

In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.

After chasing the mysterious Kamen Rider Dark Ghost, who had suddenly appeared, Takeru Tenkuji arrives at a strange village full of historical figures. Attempting to gather 100 Eyecons, Alain’s dead brother Argos - Kamen Rider Dark Ghost - wishes to create the Ultimate Eyecon and turn everyone on Earth into ghosts. Meanwhile, Makoto’s father Daigo Fukami is seen in the village. Transforming into Kamen Rider Zero Specter, is Daigo an ally or an enemy?

An adaptation of Eugene O'Neill's play Desire Under the Elms.

Even at the age of 40, Juliette is used to other people making decisions for her. When she meets two guys she likes, she has to finally make her own decision.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

Scoped Out was created as part of the “Without Precedent” 48 Hour Film Fest during the Covid-19 Quarantine. Participants were challenged to create a short film in 48 hours without leaving their homes.

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.