Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
It is the last night of 14-year-old Astrid's and Issi's holiday by the beach. The mission is clear, especially for Issi: to find a guy and hopefully lose her virginity before the holidays are over.
Upstairs-downstairs neighbors Dan and Mia have never met, but the thin floor between their apartments offers its own kind of intimacy. In an alternative reality where sounds – and the sensory memories that accompany them – can be captured in food storage containers, Dan approaches Mia with a proposal. He offers some of the sounds of his life in exchange for some of the sounds of hers.
Miu Miu Women's Tales #12 - Short film directed by Crystal Moselle starring The Skate Kitchen crew
A 65-year-old single artist living in New York City has a good life: a stable teaching job, successful friends, and a loyal, aging dog named Bing. As her dream of a respectable place in the art world becomes more elusive, her frustration with her lack of recognition feels alarmingly urgent.
Clive, an old film projectionist, fears his profession is becoming obsolete. Holding on to the love and magic of film, he desperately tries to rekindle his relationship with his daughter, Mary, by forging a new one with his granddaughter.
It's the second wave of the COVID pandemic in Rio de Janeiro. There's no water in Madá's old mansion, a sewing cooperative where sheltered LGBTQI+ young people live and work. Renê, one of the residents, paints the anguish of a mysterious spirit that haunts the shelter through the plumbing. Across town, a loner middle-aged plumber, Ismael, is tormented by the same curse.
A behind-the-scenes look at Astrid von Star's unfinished, untitled, avant-garde masterpiece which reveals her many kept secrets of love and loss. Once a top Hollywood film critic, Astrid (Rena Riffel) rebels to create a self-portrait on digital media with the help of her only surviving ex-husband (Greg Heath). She expresses her bohemian spirit while her psyche unravels in front of the camera.