野獣死すべし 復讐篇

Masaaki Kagari (Akira Kobayashi) is the recruiter and protector of hostesses at the Club Rose. One day he visits Club Aron, to complain about attempts to lure hostesses from Club Rose. Aron's madam Hisayo reminds him of a tragic experience five years before, when a lovely girl named Kumi committed double suicide with a man in a hotel. For Aron's madam is Kumi's elder sister. Kagari's friend Hayazaki introduces him to Chie, the young sister of the man who died with Kumi, who has come to Tokyo to learn the truth about her brother's death. Kagari sends them both away. But he continues to be haunted by the warmed-over memories. When Club Aron is found selling bootleg whisky Kagari learns that Hisayo has been a tool in the hands of the Akune group who are also responsible for trying to steal his girls, and that Fujikura, the public prosecutor who presided over the case of Kumi's death and ruled it suicide, is now the personal lawyer of the Akune group...

Osaka, 1907: Asajiro lives between a rock and a hard place: he has to keep his business clean and running, tame his late oyabun’s hot-blooded son and suffer the throes of his impossible love for beautiful geisha Hatsue.

A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. She is captivated by the grace of his kill and later falls in love with him. An intense power struggle for the leadership of the Yakuza Clans ensues as they seek vengeance for the death of their leader.

When Yakuza decides to take avenge his brother, the war shall begin.

A dangerous mobster threatens the life of a businessman's mother in this thriller. As Ryuji oversees the building of a bridge in Japan, a powerful gangster plans to stop the project. By any means necessary.

The Hyodo-gumi boss—part of Tendokai, Japan’s largest yakuza syndicate—has been brutally murdered. Kazuma Washio (Hitoshi Ozawa), the head of the Washio-gumi and Tendokai’s wakagashira (underboss), is convinced that Yoshinari Myojin (Sho Aikawa), a former Tendokai wakagashira-hosa now running Tokyo’s underworld of thugs and mafia, is behind the killing. Around the same time, Tendokai's 5th-generation chairman Katsushige (Hakuryu) orders Washio to secure a woman named Nagi Toyama (Akane Hotta). Washio sets out with his men, Okita (Yasukaze Motomiya) and Date (Hideo Nakano), but they’re ambushed by a group of heavily armed youths. Barely escaping, they manage to bring Nagi to their hideout—only to discover she’s a key player in a power struggle over the Tokyo Casino Project. And so begins the greatest conflict yet, entangling yakuza, mafia, street gangs, the police, and even the state itself—

Aboard a night ferry in the Inland Sea, Masaaki Kagari (Akira Kobayashi), a young tough, who supplies hostesses to night spots, encounters Yuko, his ex-sweetheart. He considers himself a private underworld sort of policeman-in the com- munity of such women. Yuko, now a bar proprietress, is under the protection of Tahei Daigo, a sinister gang boss who in his quest for chances of good investments abroad plans to offer young girls to rich foreigners. Asked to gather attractive girls by Yuko, now Tahei's puppet, Masaaki collects many only to find them mysteriously missing...

Beleaguered police detective Nishi takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his business partner paralyzed from a brutal gangster attack, Nishi borrows from a yakuza loan shark and then robs a bank to clear his debt.

It is the third film in the Gokudo series. In this episode, set in 1937, the main character of the series gang leader Shimamura is drafted into the military and fight in China.

Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.