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Watch What Happens Live with Andy Cohen - (Apr 1st)
The Voice of the Country - (Apr 1st)
Tribunal Justice - (Apr 1st)
Confessions of Octomom - (Apr 1st)
Gypsy Rose- Life After Lock Up - (Apr 1st)
Beyond the Gates - (Apr 1st)
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The Real Housewives of Sydney - (Apr 1st)
The Cook Up with Adam Liaw - (Apr 1st)
The Last Word with Lawrence ODonnell - (Apr 1st)
Below Deck Down Under - (Apr 1st)
Contraband- Seized at the Border - (Apr 1st)
Hollywood Demons - (Apr 1st)
Rescue- HI-Surf - (Apr 1st)
The One Show - (Apr 1st)
90 Day- The Last Resort Between the Sheets - (Apr 1st)
The Hunting Party - (Apr 1st)
NCIS - (Apr 1st)
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The Rachel Maddow Show - (Apr 1st)
_**Dirty Harry in Berlin (sort of) with choppy editing**_ An aging, cynical detective in dreary Berlin (Armin Mueller-Stahl) investigates the murder of a young woman while dealing with a new female partner who hasn’t lost sight of virtue (Julia Kent). Michael York plays the DA, Frank Stallone a pusher and Morgan Fairchild a hooker. "Midnight Cop" (1988), aka “Killing Blue,” is a dreary big city detective drama/thriller with enough entertaining aspects to make it worthwhile for those interested, but it’s horribly marred by awkward editing. I don’t know if the jerky pacing was a Euro thang at the time or the filmmakers were trying to be avant-garde (or perhaps it’s just incompetence?). But, if you can acclimate, there are several highlights, including the winsome Julia Kent and the stunning Morgan Fairchild, not to mention a couple of other beauties. Meanwhile, the jazzy score is interesting with “Whiter Shade of Pale” thrown into the mix. And, despite the darkness, there is some effective humor. It’s basically an 80’s Euro meshing of movies like the Dirty Harry flicks, “The Organization” (1971), “Death Wish” (1974) and “Lantana” (2001), just lacking their editing smoothness. I advise using the subtitles since the mumbled dialogue is often hard to make out (especially by Mueller-Stahl). Speaking of which, although the characters speak English (some of it obviously dubbed), you’re supposed to imagine they’re speaking German. The film runs 1 hour, 35-40 minutes, and was shot in West Berlin, Germany, but don’t expect any beautiful shots of the city as the urban photography is always dark, grey, industrial and unappealing, which fits the mood of course. GRADE: C+/B-
Five young women find themselves at the mercy of a mysterious killer while vacationing on an isolated island.
Fashion model Sarah Cornell, from the front car of a subway, witnesses a man pushing a woman onto the tracks to her death. Hoping to dispel the presumption that the woman committed suicide, Sarah contacts the police. But when they arrive to take her statement, she recognizes one of the detectives as the killer. Can she get anyone to believe her before she becomes his next victim?
As a child, the brutal murder of her family made Alexis regain her hearing along with synesthetic abilities. Now as an adult, she finds solace in the sounds of bodily harm. But when she’s told she might lose her hearing again, she escalates her gruesome sound experiments in a quest to compose her masterpiece.
Deep in the woods, a lost hiker stumbles upon the cabin of an erratic and reclusive old man. What starts off as cordial conversation soon turns dangerous as it becomes clear that one or both of them might be hiding a terrifying secret.
In 1983, a naive man is detained by Australian Federal Police with lethal narcotics hidden in his stomach. After being apprehended, ‘The Mule’ makes a desperate choice... to defy his bodily functions and withhold the evidence – literally.
Based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
Seattle medical examiner David Krane is obsessed with solving his wife's murder. A possible solution presents itself in an experimental "memory" serum designed by a neurobiology professor, which has the ability to transfer memories from one person to another, but with potentially fatal consequences.
The successful undercover agent Victor Cooper is assigned for his ninth mission: to find how the loadings of drug is being brought to Miami. He suspects that the drug is coming through the air and joins a team of sky diving, under the leadership of Red Line, a fanatic and considered the athlete number one in this sport in the world. Due to his profile of winner, Vic gets involved with the group and he "disconnects" from his position of infiltrated agent, "connecting" with the team.