Buffalo Kids 2024 - Movies (Dec 22nd)
Nothing Even Matters 2024 - Movies (Dec 21st)
Katy Perry Night of a Lifetime 2024 - Movies (Dec 21st)
Happy Howlidays 2024 - Movies (Dec 21st)
Megalopolis 2024 - Movies (Dec 21st)
The Holiday Club 2024 - Movies (Dec 21st)
Diabolik - Who Are You 2024 - Movies (Dec 21st)
Stalked 2024 - Movies (Dec 21st)
Cold Road 2023 - Movies (Dec 21st)
Battle for Disclosure 2024 - Movies (Dec 21st)
The Big Dog 2023 - Movies (Dec 21st)
In a Violent Nature 2024 - Movies (Dec 21st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Order 2024 - Movies (Dec 20th)
Thank You Dr. Fauci 2024 - Movies (Dec 20th)
Christmas on the Alpaca Farm 2023 - Movies (Dec 20th)
Tyler Perrys Sistas - (Dec 22nd)
Earth Abides - (Dec 22nd)
Landman - (Dec 22nd)
Match of the Day - (Dec 21st)
The Beat with Ari Melber - (Dec 21st)
Secrets of the Royal Palaces - (Dec 21st)
Blue Box - (Dec 21st)
Impact x Nightline - (Dec 21st)
Strictly Come Dancing- It Takes Two - (Dec 21st)
Woolworths Carols in the Domain - (Dec 21st)
Saving Grace - (Dec 21st)
Gutfeld - (Dec 21st)
Hannity - (Dec 21st)
Jesse Watters Primetime - (Dec 21st)
Special Report with Bret Baier - (Dec 21st)
The Five - (Dec 21st)
The Ingraham Angle - (Dec 21st)
The Katie Phang Show - (Dec 21st)
The Tucker Carlson Show - (Dec 21st)
When the Phone Rings - (Dec 21st)
***HERE THERE BE SPOILERS*** This version of Godzilla is a difficult one to give a simple overall rating. Honestly, if Hollywood had just made this into a generic monster movie, kind of the way they did with Cloverfield, it would have easily been an above average movie, possibly even breaking into 4 star territory. The acting is above average (including the must-have flavor of the month, Jean Reno), the F/X are excellent for 1998 and the plot actually makes sense. Nevertheless, the failure for this movie is that it was made by people not familiar with the franchise and/or what Godzilla means to his fanbase. Godzilla is to the people of Japan what Batman and Superman are to Americans, what Dr. Who and James Bond are to the British and what Shaft and the Black Panther are to the Black Community. The demotion of Godzilla to that of nothing more than an over-sized animal working wholly upon instinct instead of the more humanistic level of intelligence that we in the fandom have come to know and expect was a slap in the face. Furthermore, the final scene where Godzilla is killed (a blasphemy only seen two other times in his 60 year history (Gojira (1954) and Godzilla vs. Destoroyah (1995), the later being the planned end to the franchise in its entirety) by only three F/18s and a total of 6 missiles when entire armies have done nothing more than irritate the King of Monsters was beyond belief. For those not familiar with Godzilla's accomplishments and reputation, imagine the outrage that would come from the respective communities if James Bond was taken out by a mall cop or Superman was killed by 3 six-year-old brats with baseball bats. Now you understand why Japanese movie-goers were storming the box-offices DEMANDING a full refund for this insult and why Toho quickly resurrected their dearly departed Kaiju less than one year later for probably one of the best movies in the entire franchise, Godzilla 1999 (Godzilla 2000 here in the United States). All in all, as a monster movie, Godzilla gets 3.75 stars. However, for a Godzilla movie, it gets a 1 star rating. I'll cut the difference and meet them somewhere around the middle with a 2.5 star final score.
The hype was as big as the monster to start with! It felt like this take on Godzilla was advertised for 2 years in advance of the actual release, every time (it seemed) I went to the cinema I was awestruck by little teaser trailers, in fact the one of the old guy fishing and hooking Zilla is a personal favourite...SIZE DOES MATTER! Love it I do. Sadly as most of us now know, the film didn't meet fans and critics expectations at all, but was the film done down by the hype and an expectation of a masterpiece for the genre?. Well it didn't help that is for sure, but taking aside that problem, the film only glimpses at what might have been. It has many great points that seem to have been forgotten, so sadly we are all too aware of the film's failings on the makers behalf. The build up in the film is excellent, the makers mount the tension in steady strokes, doing what all classic monster movie makers do, they have you waiting with gripping expectation of the creature by a series of scenarios and inventive dialogue. The sound is incredible, making it an essential viewing for those who cherish home surround cinema, while some of the shots and destruction of New York are well worth the viewers time. But then? Well they throw the good work away by turning the film's focus away from the big lizard to a story line that was only fitting for the cartoon version of Godzooki. Thus rendering the film as a poor man's Jurassic Park, which quite frankly doesn't sit well. Matthew Broderick, Jean Reno and Hank Azaria all deserved better scripting, hell we all did! It's not the evil stinker some would have you believe, it does have its moments of both good and bad, it is, by definition, very much a film split down the middle. 5/10
I found this to be quite a fun take on the Godzilla fable. Matthew Broderick as "the worm guy" and Jean Reno as the French Secret agent deliver quite watchable performances as they investigate some radioactive shipping incidents and some really big footprints. The special effects are decent enough too and help carry this admittedly over-long little movie. Roland Emmerich & Dean Devlin are quite good at churning out these adventure films - never great, but usually they move along nicely and keep you entertained and the last half hour of this is actually quite fun to watch and on a big screen if you get the chance.
As a kid, I was absolutely fascinated by dinosaurs, so you can imagine how Godzilla (1998) held a special place in my heart. Back then, I found the film to be a thrilling spectacle filled with awe-inspiring giant creatures and epic city-destroying action. However, as an adult revisiting this childhood classic, I couldn't help but view it through a more critical lens. The standout disappointment, of course, was the design of Godzilla itself. It departed significantly from the beloved original, leaving a lot to be desired in terms of authenticity. It's not a good movie, but it's fun to watch 6/10.
Four fallen robot gladiators are rescued from the scrap pile, turned into an elite group of mercenaries and sent on a mission to bring about a new age of enlightenment in a post-apocalyptic universe.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
James Bond is sent to investigate after a fellow “00” agent is found dead with a priceless Indian Fabergé egg. Bond follows the mystery and uncovers a smuggling scandal and a Russian General who wants to provoke a new World War.
A deranged media mogul is staging international incidents to pit the world's superpowers against each other. Now James Bond must take on this evil mastermind in an adrenaline-charged battle to end his reign of terror and prevent global pandemonium.
When the cast and crew of a paranormal TV reality program decide to shoot in the house of the original Saeki hauntings, a series of strange events unfold at the location.
While investigating the horrifying death of her boyfriend, Mai Takano learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.
An idyllic summer turns into a nightmare of unspeakable terror for yet another group of naïve counselors. Ignoring Camp Crystal Lake's bloody legacy, one by one they fall victim to the maniacal Jason, who stalks them at every turn...
After his revival in a hospital morgue, Jason fixes his vengeful attention on the Jarvis family and a group of hitherto carefree teenagers.