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Good watch, might watch again, and can recommend if you've seen any other version or are looking for a writing analysis. During a lot of the movie, I was kind of in nostalgia mode, remember things I saw / felt when I was a kid, just sort of enjoying the way back machine experience. It wasn't until almost the very last scene that it clicked how good the writing is in this. I know this is known for the excellent animation styling, the catchy tunes, and charming coming of age semantics, but this uses several strong formulas that have been used since Aesop's fables. And that's what made me realize the writing quality, I felt as if I was watching an on fable with moral lessons of consequence. Up until that point I was mentally preparing how this 1967 animation is actually a perfect metaphor for 2020 entitled child entering the real world: never being told no, even to the threat of great, potentially lethal, loss because even in the face of danger, they've been taught that they deserve, even in the logic that it can't be true on both sides though both believe that. Hmmm, that sounds a lot like religious war. Digressing back to the writing: Mowgli embodies naivety, narcissism, entitlement, whatever you would like to call as he's a victim / ward of extreme chances of compassion: he just happens to luck into survival wherever he goes. While Tarzan makes more sense, this is character development for the series of situations (each one their own potential fable) with the main character shifting to and fro from Bagera to Mowgli to Balloo, each one being taught lessons as the adventure continues. With the representation of the jungle and the adversities that Mowgli faces, Mowgli slowly learns what Bagera and Baloo both know: most people are only interested in their own interests, but sometimes those that have enough can be in a position to help others. The xenoism (racism) that Sher Khan has for Mowgli as a human is enough for these predators give up his companionship to help him to the man-village. The really odd lesson is that Mowgli embraces the self-interest needed in the jungle, despite dialogue to the contrary.
This has probably the most perfect balance of story and soundtrack of any film I've ever seen - animated or otherwise. Adapting Rudyard Kipling's tale of "Mowgli" the child abandoned in the Indian jungle, but rescued and raised by a family of wolves. "Bagheera", the sagacious panther realises as the boy starts to grow to manhood, that he ought to return to his own kind but "Baloo", the avuncular bear thinks otherwise and so takes our young man-cub on some fun adventures in the jungle - including some near-misses with the wonderfully menacing, sardonic tiger "Shere Khan" and "Kaa" the hypnotic python. The voice cast - especially Phil Harris as the bear and George Sanders as the tiger are great; Louis Prima as "Louie" the King of the Apes provides us with one of the best songs ever to feature in a Disney film - and the Sherman brothers provide a great slew more of them for us to enjoy, too. The detail in the animations and the humour in the script are super - this really is a must watch.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox - and obliterate the world's economy.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.
When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools—the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named.
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
After Drax Industries' Moonraker space shuttle is hijacked, secret agent James Bond is assigned to investigate, traveling to California to meet the company's owner, the mysterious Hugo Drax. With the help of scientist Dr. Holly Goodhead, Bond soon uncovers Drax's nefarious plans for humanity, all the while fending off an old nemesis, Jaws, and venturing to Venice, Rio, the Amazon...and even outer space.
