PARDONS OF INNOCENCE: THE WILMINGTON TEN

Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Life Under the Horseshoe is a fun, entertaining and historical look at Spring City, Utah's only live FM stage radio show. The film teaches us a little about history while taking us back to the golden age of radio. The documentary interviews Mark and Vicki Allen, the show hosts while learning more about their interesting, but opposite family history. The film also highlights the historical Victory Hall, a one-hundred-year-old restored vaudeville theater on Main Street, and "Spit & Whittle" Avenue, where Charlie (1885-1936), son of Simon Beck, had a bench the women of the town called the "Bummer's Bench." The men claimed it was where important community events were discussed and decisions made. Simon's son Charlie, paralyzed at an early age, presided at the bench providing advice and wisdom to all comers.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Filmed on the 60th anniversary of the republic, this dark-humor documentary delves on the highs and lows of living in North Korea.

Cathline, Ines and Marie have been visiting the metaverse for years. The three young women explore these virtual worlds where everything is possible: friendship, love, and sexuality. In the heart of breathtaking settings, they push the boundaries of their own body and their identity. Not without dangers. This documentary takes you on a fascinating journey to the heart of these little-known universes, questioning the boundaries between the virtual and the real, and exploring the themes of love and sexuality.

Follows a group of young Australians who stutter as they take part in a 10-week performing arts program to create a unique theatre piece, which they’ll perform for family and friends.

This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.