A Working Man 2025 - Movies (Jun 4th)
A Knights War 2025 - Movies (Jun 4th)
Henry Johnson 2025 - Movies (Jun 3rd)
Drop 2025 - Movies (Jun 3rd)
The Death That Awaits 2024 - Movies (Jun 3rd)
Karate Kid Legends 2025 - Movies (Jun 3rd)
The Fire And The Moth 2025 - Movies (Jun 3rd)
Tudum A Netflix Global Fan Event 2025 - Movies (Jun 3rd)
Royal Ballet and Opera 2024/25 Romeo and Juliet 2025 - Movies (Jun 3rd)
Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
The Life of Chuck 2024 - Movies (Jun 1st)
The Girl in the Pool 2024 - Movies (Jun 1st)
Spit 2025 - Movies (Jun 1st)
Flow 2024 - Movies (Jun 1st)
Battle for Castle Itter 2025 - Movies (Jun 1st)
Tom Daley 1.6 Seconds of Glory 2025 - Movies (Jun 1st)
England’s Lions The New Generation 2025 - Movies (Jun 1st)
The Severed Sun 2024 - Movies (Jun 1st)
The Encampments 2025 - Movies (Jun 1st)
Without a Name 2025 - Movies (May 31st)
The Price Is Right - (Jun 5th)
Lets Make a Deal - (Jun 5th)
Deadline- White House - (Jun 4th)
The Bold and the Beautiful - (Jun 4th)
Britain’s Most Expensive Houses - (Jun 4th)
Casualty 24/7- Every Second Counts - (Jun 4th)
Race Across the World Sweden - (Jun 4th)
Killer at the Crime Scene - (Jun 4th)
Next Gen NYC - (Jun 4th)
The Secret of Skinwalker Ranch - (Jun 4th)
Springwatch - (Jun 4th)
Piers Morgan Uncensored - (Jun 4th)
The Tucker Carlson Show - (Jun 4th)
Garden Rescue - (Jun 4th)
Chris Jansing Reports - (Jun 4th)
Narrow Escapes - (Jun 4th)
Bridge of Lies - (Jun 4th)
The Nature of Things - (Jun 4th)
Apocalypse Hotel - (Jun 4th)
Alone Australia - (Jun 4th)
Three years ago, Despicable Me launched Illumination Entertainment and announced Universal Studios as a viable player in the animation game (only Disney/Pixar and DreamWorks used to show up to these box-office battles). The film wasn't even the only supervillain animation to hit the theaters that year, but it did one-up its rival Megamind both in critical acclaim and commercial success. Now, the original film's creative team returns with Despicable Me 2, continuing the adventures of former supervillain-cum-adopted father Gru, his precocious daughters Margo, Edith, and Agnes, and his little, yellow, nonsense-spouting minions. Following closely on the first film's heels (this film gratifyingly puts a premium on continuity), the now-retired Gru is settling into his new paternal role, and while the spikier parts of his personality remain, he's reshaped himself into an adoring father and potential purveyor of jams (and jellies). When an evil plot threatens the globe, however, Gru finds himself pulled back into the supervillain game by the Anti-Villain League, who've recruited him to be the hero, an ersatz spy who knows how the mystery bad guy thinks. One earnest and delightfully overbearing partner introduction later, the pair (Gru and newbie AVL agent Lucy Wilde, played by Kristen Wiig) are undercover as bakers in a strip mall where the bad guy's scheme is likely to go down. Despite the world being threatened, the stakes feel surprisingly low in the film; the archness of the plot never feels as real or immediate as the character interactions, which are enjoyable all the way through. Here, Gru realizes his loneliness, his neophyte partner realizes her true calling, and his daughters come to grips with new realizations and wishes. The characters take center stage, rarely letting the transparently-raised stakes of the plot machinations get in the way of sitcom-like character arcs such as the eldest daughter dating (and Gru's dogged insistence on undermining it) or little Agnes wanting a new mother. But that's sort of the magic of these films; despite the plot beats being the stuff of basic sitcoms, the setting and characters manage to still make the film a winning combination. Steve Carell dusts off the strange Eastern European accent he originated for Gru, and manages to be both an amusing character and his own straight man. Miranda Cosgrove, Dana Gaier, and Elsie Fisher embody adorableness as the girls. But it's Wiig who steals the show as Agent Wilde, a professional woman who is also goofy and personable. Wiig and Carell have fantastic chemistry, even with just their voices in play. The minions, those little yellow blobs in overalls that accompany all of the film's publicity, are back and hilarious as ever, despite their laser-like focus on slapstick and complete lack of intelligible dialogue. The Despicable films seem to be two separate animation genres welded together: the first is a heartfelt, Pixarian meditation on the nature of family, but the second is the part with the minions, which embody the anarchic spirit of the Looney Tunes more successfully than any of their predecessors. It's a strange melange that shouldn't work, but dammit, it does, and the resulting films wound up being both moving and guffaw-inducing. The other aspect of the Despicable films that bowls me over is the virtual cinematography; truly, alongside the best of Pixar's output (like Wall-E), these are some of the most beautiful animated films ever made. The use of color, depth, and art are stunning, from Gru's Charles Addams-inspired design to the beautiful play of light, shadow, and color. This sequel follows the high standards of the first, and the result is a feast for the eyes. The bottom line is that like the first film, this one is a trifle, but a very enjoyable one. It's little more than a victory lap for Carell and company, but when there are characters you can enjoy this much, what's wrong with spending another couple of hours with them?
Set in the final weekend of the year 1995 Ice Hockey World Championships, 95 tells through overlapping stories why Finland became a ice hockey world champion and how it affected the whole nation.
It's the end of the school year. The long-awaited moment of the holidays is arrive. The little Nicolas, her parents and Grandma take the road towards the sea, and settle in for some time at the Hotel Beau-Rivage.
At New York's High School of Performing Arts, students from all walks of life get the chance to hone their skills as singers, actors, dancers, and more. Over four years, these young men and women will see if they truly have the dedication and talent to achieve success, while still juggling regular schoolwork, feelings of self-doubt, and budding romances.
The survivors of the first Waxwork must use a portal through time to defeat the evil that has followed them and turned their lives upside down.
A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
Brucey, the son of Oscar, calls his father to invite him to his wedding to Felix's daughter next Sunday in California. Oscar and Felix meet again at Los Angeles International Airport and rent a car in order to go to San Malina for the wedding.
On the brink of divorce a middle aged man, Olavi, retreats to his cabin by the lake. After a few days he finds that the ceiling has come down making him unable to stand up straight. His friend Tuomas arrives and insists that something has to be done whereas Olavi is content with the limited space.
Nic (Glenn Morshower), a devoted father, husband, and friend with a passion for fishing and bowling, had the perfect life until his wife left after they became empty nesters, leaving him heartbroken. However, his world takes a hilarious turn when he secretly starts dating his best friend's (Kevin Farley as Pastor Kris) sister, leading to uproarious complications. This heartwarming comedy-drama follows Nic as he navigates the aftermath of his wife's departure, discovering the transformative power of love, friendship, and laughter in unexpected places, all while cherishing his favorite pastimes of fishing and bowling. Actor/Comedian Gary Valentine plays the role of Spike, Nic's high school rival.
Katie, a shy newspaper accountant submits a reply to a "Dear Viola" letter to the editor that she works for, anonymously. She has a real knack for writing to people and getting to the heart of the matter. Soon, she takes over the newspaper's advice column and falls in love with one of her correspondents. The whole town becomes involved in the romantics.
Elena Houghlin is a scientist, engineer and inventor of Calisto - a sustainable energy source that will revolutionize the way people use power. It will be ready as soon as she works out the last issue, if not it could be turned into a dangerous weapon. But when the cutting edge technology is pushed to an investor before she can do that, Elena turns to the Townsend Agency for help. Now, it's up to the Angels - Jane, Sabina, and the newly recruited Elena - to retrieve Calisto before it can be transformed into a weapon of mass destruction.