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Buckle up. Kimberly Corman has a terrifying vision that a highway pile up will claim her life and that of her friends. Blocking the entrance with her car, Kimberly watches in horror as the crash unfolds, thus saving her life and that of the people in the queue behind her. But the grim reaper is not impressed and he's coming to claim the deaths of all those who should have died in the crash. For a sequel to truly work well it has to come up with something fresh, otherwise why do a sequel eh? Well the makers of Final Destination 2 choose to use the basic same formula of the hugely enjoyable first film, only adding more black humour into the crazy death design broth. Opening with a quite horrific highway pile up, FD 2 then takes us on a journey that sees an assortment of folk offed in various and gruesome ways. The story remains the same as the first film, even though writers Bress and Gruber think they are being intricate by weaving this plot into the original story, but ultimately it's just a devilishly nonsense fun picture. Ali Larter returns for a second helping, and she in turn is joined by a bunch of no mark actors waiting for death, which is perfectly fine for the genre discerning fan. This is a riot, and as long as you don't look too deep into it (why would you really?) you may just find yourself having a real good time. 7/10
***Solid sequel, maybe a notch better than the first film*** The first "Final Destination" movie from 2000 was a rather innovative 'Dead Teenager Movie' in that the killer was Death itself, the Grim Reaper, as an invisible spiritual presence. A group of people, mostly youths, escape a great tragedy due to a premonition of one of them and the rest of the movie involves the Grim Reaper systematically slaying those who cheated Death in various creative ways, usually involving an unlikely chain reaction. The opening tragedy in the first film was a plane crash; in this second film from 2003 it's a horrible highway pile-up; in the third it's a roller-coaster mishap and so on. There are currently five films in the franchise and they all tell the same basic story with different characters and some nuances; they’re all of the same high quality of technical filmmaking. Whether you prefer one or another depends on whether you like the cast and the death sequences (and the locations) because, other than these factors, they're all basically the same, although the fifth film throws in an interesting new twist (Death’s victim can find a substitute). Ali Larter returns as a secondary protagonist while A.J. Cook takes the reigns of the 'final girl.’ Keegan Connor Tracy also has a considerable role in the female department while Sarah Carter has a smaller part. While this is a quality assortment of women, the creators coulda done more with them. On the opposite side of the gender spectrum Michael Landes stars as a state trooper. Jonathan Cherry, Terrence 'T.C.' Carson and James Kirk are also on hand. Their importance to the story is in that order. Meanwhile Tony Todd makes his second of four appearances in the series as a mortician who curiously knows more than he should. I actually like this one a little better than the first one, but like that film, the second half isn’t as strong as the first. Is the final scene supposed to be horrific? Cuz it made me bust out laughing. The film runs 1 hour, 30 minutes and was shot in the Vancouver, British Columbia, area, including Campbell River (although the events take place around New York City). GRADE: B/B-
This is my least favorite out of the series. Just the main character doesn't sell her character to me in this. The death scenes were cool, but it was just an ok movie.
Child psychologist Carter Nix is a loving and caring family man, but under this appearance lies a dark and troubled past. Grappling with the consequences of this past on his own psyche and the influence of his returning father and violent brother Cain, Carter becomes involved in a series of murders and kidnappings. Meanwhile, his wife Jenny rekindles an old love affair, placing herself in the crosshairs of her increasingly unstable husband.
Artist Adrian Jonas toils in preparation for the biggest gallery opening of his career. The creative process takes Adrian deep into the depths of his mind, where he begins to experience premonitions of a terrible fate that awaits his beloved Iliana. Adrian grows to suspect that a mysterious neighbor is the phantom who means to harm his wife.
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
After being violently pushed from a window, Mary wakes up in the hospital, almost completely paralyzed. Trapped inside the prison of her own body, Mary's only way to communicate is by blinking her eyes. She tries to warn the nurse that a sinister, inhuman force is trying to kill her. But when strange things begin happening around her, she realizes it may be too late to stop it.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
A mad scientist creates a monster called "Mosaico," who breaks out of the laboratory to hunt down and kill beautiful women.
David, an orderly at a hospital, tells his horrific story of being kidnapped and forced to play a vile game of survival.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
Minnesota, 1990. Detective Bruce Kenner investigates the case of young Angela, who accuses her father, John Gray, of an unspeakable crime. When John unexpectedly and without recollection admits guilt, renowned psychologist Dr. Raines is brought in to help him relive his memories and what they discover unmasks a horrifying nationwide mystery.