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My Old Ass is a damn fun movie. It’s partly the fantastic, rapid-fire dialogue (the whole movie is a speedy treat, yet somehow chill at the same time). It’s partly the refreshingly natural look and feel of the characters – for example, Elliott’s hair's never perfect. It's not a "movie" looking movie. Maybe that’s why we felt more belief in this story than other “magical realism” films. The concept is just so juicy – who wouldn’t want to know which pitfalls to avoid in their future? Who wouldn’t want to go back and give yourself the advice that nobody else (literally nobody) is equipped to give? But after that top layer of fun is peeled back, writer/director Megan Park asks us to ponder the delicate balance between life experience being a gift, and a burden. Read more of our thoughts on MY OLD ASS at good.film: https://good.film/guide/life-going-nowhere-you-need-a-visit-from-my-old-ass
If you had the chance to speak with your future self, what would you discuss? That’s the opportunity unexpectedly presented to 18-year-old Elliott (Maisy Stella), the daughter of a Canadian cranberry farmer who’s about to leave her rural home to attend college in Toronto, a new chapter in her life that she anxiously awaits. To commemorate the occasion, Elliott and her two best friends (Kerrice Brooks, Maddie Ziegler) decide to celebrate by imbibing in festivities involving a brew of magic mushrooms. However, much to her surprise, while in her altered state of consciousness, Elliott meets her 39-year-old self (Aubrey Plaza), who provides the teen with an insightful look into her future. Much of their conversation focuses on things that her younger self could stand to work on, but, perhaps the most significant topic of discussion centers on a warning to avoid involvement with an as-yet-unmet young man named Chad (Percy Hynes White). Not long thereafter, though, Elliott meets this mysterious stranger, who just happens to be a field hand hired to work on the farm for the summer. She quickly becomes smitten with the charming newcomer and wonders why her elder self so vehemently cautions her from getting to know him, advice she promptly ignores. This, of course, raises many pertinent questions, such as must we obediently accept such supposedly prophetic proclamations as gospel? Is our future indeed written in stone? And, even if our destiny is allegedly unalterable, should we unquestioningly abide by any cautions associated with it, or should we follow our gut instincts even knowing what the consequences might be? These are among the themes thoughtfully addressed in writer-director Megan Park’s second feature, a sweet coming of age tale with a twist, one punctuated with gentle humor, heartfelt emotions, astute realizations and more than a few intriguing revelations. The picture is also beautifully filmed in the picturesque lake country surrounding Muskoka, Ontario, providing audiences with views of some spectacularly gorgeous scenery reminiscent of “On Golden Pond” (1981). However, despite these strengths, the film feels a little underdeveloped in several regards, particularly when it comes to various supporting characters and subplots, as well as some back story aspects of the elder Elliott’s future existence. Given this offering’s relatively short 1:29:00 runtime, it’s somewhat baffling why the filmmaker didn’t take a little extra time to more fully flesh out these elements (after all, it’s not like the picture is overlong or tiresomely tedious). Nevertheless, those shortcomings aside, “My Old Ass” is a pleasant, inoffensive way to spend some time at the movies watching an uplifting, enlightening little story that nicely warms the heart and tells a story with an earnest message about how to approach living our lives. And it’s hard to find much fault with that.
It's her eighteenth birthday and her "ET" loving parents are waiting with their cake for daughter "Elliott" (Maisy Stella). She's off with her pals though, camping out and drinking a particularly potent mushroom tea. Next thing, she finds herself sitting on a fireside log chatting to a thirty-nine year old version of herself (Aubrey Plaza). Hallucinating? Well yes, but somehow her older self manages to leave her a phone number and give her a little advice about her future with the as yet unknown "Chad". Next day she's doing a bit of skinny dipping and guess who she meets? There's the semblance of a spark, but up until now "Elliott" was a confirmed lesbian and armed with the portentous advice from her own future, concludes it's best to avoid the lad. Can she, though? Should she? Auteur Megan Park has worked this really quite entertainingly as she uses the character of "Elliott" to illustrate the selfishness of youth. Taking family and friends for granted, thinking we know it all and that nobody else could ever hope to understand us. The lively interaction between the two women and, ultimately, with the young man might just serve to open her eyes to the joys of being who she is and of looking forward to her future - even when she knows that it's going to be a bumpy ride. It poses the question to us all. If we knew that the life that we were about to embark upon was doomed to failure, would we still follow those impulses or might we heed the warnings and just play it safe? Stella plays her role engagingly and the few scenes with the sylphlike young "Chad" (Percy Hynes White) have a certain humorous charm to them too. Sure, it does play to a few stereotypes but sometimes these resonate more than we might like them to. It's maybe not a cinema film, but it's way better than your usual teenage angst movie, and worth a watch.
'My Old Ass' is very cute. It features an impressive Maisy Stella performance, too. The lead is honestly great throughout, the type that is so convincing that it barely feels like you're watching someone act; Stella is particularly good when it comes to her character's more emotional side. Elsewhere, Aubrey Plaza doesn't appear terribly much but still manages to leave a mark - she's always a person I enjoy seeing act. Obviously it isn't a perfect movie or anything, one or two bits of dialogue are a little iffy and the ending is a tad rushed (?) and easy to predict. Don't get me wrong, though, I'm not actually criticising this as I really enjoyed the whole 90 or so minutes. Amusing. Sweet. Recommended.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.