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**Great sequel!** A funny, exciting Superman movie that includes the greatest scene in the franchise - the junkyard fight between Evil Supes and his nerdy counterpart, Clark Kent. Richard Pryor is hilarious as the hapless Gus Gorman - the computer programming genius with a heart. Robert Vaughn makes for a great villain and the special effects are top notch. So much more entertaining than the tedious bile that would come in later years - Superman Returns and the Henry Cavill rubbish. I remember sitting in the packed theater in 1983 and the whole audience thoroughly enjoying this - laughing and cheering in all the right places. And for those who claim the film is too silly - do they not remember Ned Beatty as the cretin Otis in Superman and Superman II - surely the stupidest character to grace the series. - Charles Dance
Never underestimate the power of computers. After being caught for a money making computer scam, Gus Gorman (Richard Pryor - wonderful) is recruited by unscrupulous multimillionaire Ross Webster (Robert Vaughn). With Gorman's computer expertise, Webster plans to take complete economic control. But first there is the considerable issue of eradicating Superman first... Richard Lester, as everyone now knows, inherited Superman 2 from the jettisoned Richard Donner. Here we have a complete Richard Lester Superman film, and from the extended slapstick opening we are aware that this is far lighter in tone than the previous two films. Lester's credits are steeped in comedy traditions, so it's no real surprise that Superman 3 is more airy comic book than troubled caped crusader. This is something that many franchise fans are completely unforgiving about. Which is a shame, because viewed as a comic book bit of nonsense it's a rather enjoyable film, certainly it's the one with the most fun approach. The action is very well put together, with a franchise highlight as Clark Kent (Christopher Reeve) gets to fight a clearly off kilter Superman (erm, Reeve again), and the comedy, if accepted on its own terms, is very rewarding. Annette O'Toole (adorable) takes the lead love interest role for this one, with Margo Kidder only along for cameo duties. Pamela Stephenson is on hand for some sex bomb side-kick to Vaughn work, and Annie Ross gest the bitch sibling role and gets her teeth and "wires" into it. All told, it's not a ground shaking superhero film, but it does work as entertainment if one can cast off the mythology of Superman and his fantastical complexities. To do so is not a crime against ones superhero beliefs, it's just an acceptance that this is a different approach, and that Superman 3's only real crime is not being as good as the two film's that preceded it. Hey, just think, "Quest For Peace" was around the corner... 6/10
_**More than it first appears**_ "Superman III" (1983) gets a lot of flack because of the inclusion of slapstick, a parody tone and Richard Pryor, but it is entertaining once you get used to the tone and the presence of Pryor. Christopher Reeve as Superman is good, of course, but you also have Robert Vaughn as the Luthor-like villain and Pamela Stephenson as his attractive female assistant a la Miss Teschmacher. The cast really excels with the inclusion of the beautiful Annette O'Toole as Lana Lang, a sort of replacement for Lois Lane, who barely appears. Annette is a pleasure to behold throughout. Once you get used to the too-goofy approach the film really takes off in the second half with Superman fighting his dark side, an obvious type of the inner conflict of flesh & spirit within us all. Even more, there's the satisfying redemption of a certain character that illustrates how a person can make a huge mistake and still be applicable for redemption, as long as he or she is willing. The film just leaves you with a good feeling. BOTTOM LINE: It's not great like the first two, but "Superman III" delivers if you overlook all the bashing and give it a chance. Richard Pryor is goofy, but likable while Annette O'Toole shines. Most of all, the movie is deeper than what meets the eye and effectively conveys powerful truths about the human condition and potential. The film runs 2 hours, 4 minutes. GRADE: B-/B
'Superman III' is just rubbish, isn't it? I wasn't hating what I was watching or anything, but I was just sat there continuously thinking: this is just bad, huh. Much of the movie feels like the titular character is sidelined, then even when he is onscreen he's... depressed? Odd choice. Christopher Reeve remains good, no issues there. Margot Kidder is involved but barely features, to be fair Annette O'Toole is solid in her bit. Richard Pryor, Robert Vaughn & Co. are OK in terms of what they give, but their characters are highly uninteresting. I just didn't care at all. That opening sequence really gives you a peek into what you're going to be watching. Of course there are signs in the prior movies that the filmmakers wanted to stray into dumbed down comedy and it might've worked as a standalone picture, but as a Superman film? Not a chance.
A group of very different individuals who in 1975 lived in a commune called "Together". Now it is 1999, and the collective has turned into the world's smallest. The commune consists of only two people - Göran and Klasse. Feeling a bit lonely, the idea occurs of a reunion with their old friends.
Fin and his wife April travel around the world to save their young son who's trapped inside a sharknado.
A group of revived beast-themed Riders gather to form the "Beast Rider Squad"... and Kamen Rider Ouja, the worst villain Rider, is leading them! Can Kamen Rider Brave hunt them with his new Gashat, "Knight of Safari"? And what is the secret behind this battle?
When their trip to San Lorenzo takes a turn for the worst, Arnold and his classmate’s only hope of getting home is retracing the dangerous path that led to Arnold's parents' disappearance.
When the evil Skeletor finds a mysterious power called the Cosmic Key, he becomes nearly invincible, seizing Castle Grayskull and the surrounding city. The Sorceress is now Skeletor's prisoner and he begins to drain her life-force as he waits for the moon of Eternia to align with the Great Eye of the Universe which will bestow god-like power upon him. However, courageous warrior He-Man locates the locksmith inventor Gwildor, who created the Key and has another version of it. During a battle, one of the Keys is transported to Earth, where it is found by teenagers Julie and Kevin. Now, both He-Man and Skeletor's forces arrive on Earth searching for the potent weapon.
Daisato, a second-rate, third-generation superhero, annoys his neighbors with the noise and destruction he causes on the job. But a heroic public image is the least of his concerns. Besides defending Japan from bizarre monsters, he must deal with an agent seeking to brand him with ads, a superhero grandfather with Alzheimer's and a family embarrassed by his incompetence.
Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West's limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West's experiments 13 years earlier.
Timon the meerkat and Pumbaa the warthog are best pals and the unsung heroes of the African savanna. This prequel to the smash Disney animated adventure takes you back - way back - before Simba's adventure began. You'll find out all about Timon and Pumbaa and tag along as they search for the perfect home and attempt to raise a rambunctious lion cub.
Maggie Peyton, the new owner of Number 53 - the free-wheelin' Volkswagen bug with a mind of its own - puts the car through its paces on the road to becoming a NASCAR competitor.
Set in a world where superheroes are commonly known and accepted, young Will Stronghold, the son of the Commander and Jetstream, tries to find a balance between being a normal teenager and an extraordinary being.
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.